*Dandin*

   - Dandin was a poet as well as a prose writer. He primarily wrote in the
   Sanskrit language.
   - He was a Kanchipuram resident. In Sanskrit, the* Kavyadarsa i*s the
   earliest systematic treatment of poetics.
   - Dandin's active career took place between 680 and 720 CE, under the
   patronage of* Narasihavarman II*, and Sanskrit commentators such as
   * Rajashekhara *praised him as a poet.
   - *Bhattikavya* had an influence on it. He claims in Kavyadarsa that the
   beauty of a poem is derived from its use of rhetorical devices. He lists 36
   different types of such devices.
   - *Dandin* was a strong proponent of gunaprasthana.
   - It means that qualities like shlesa, prasada, samata, madhurya, artha
   vyakti, and ojah were required in the poetry. He is known for his long
   compound words and complex sentences.
   - *Kavyadarsa,* also known as* Mirror of Poetry, *is a literary
   criticism.
   - *Dashakumaracharita *tells the story of ten princes who go through ups
   and downs in their quest for love and royal power.
   - It tells stories from everyday life, giving an accurate picture of
   Indian society at the time. *Purva Pitika, Dasakumaracharita proper, and
   Uttara Pitika* make up this group.
   - *Kavyadarsa* is a mature work from him, and the majority of the
   alleged grammatical errors are of the type that other poets tolerate.
   - The *Adventures of the Ten Princes* was the title of a 1927
   translation of the *Dasakumaracharita.*

*Dandin - Literary works*

   - The *Kavyadarsa *is the first systematic treatment of poetics in
   Sanskrit that has survived. Bhatti's *Bhattikavya *had a strong
   influence on Kavyadarsa.
   - Dandin argues in Kavyadarsa that the beauty of a poem stems from its
   use of rhetorical devices, of which he identified thirty-six.
   - He is well-known for his long compound words and complex sentences.
   - The *Kavyadarsa* is similar to, but differs from, Bhmaha's
   Kavyalankara in many ways.
   - Dasakumaracarita is a prose text that chronicles the trials and
   tribulations of ten princes as they pursue love and power.
   - It is written in colourful* Sanskrit prose* and contains stories from
   everyday life that reflect Indian society at the time.
   - It is made up of three parts:* Purva Pitika, Dasakumaracarita, and
   Uttara Pithika.*
   - The even more fragmentary Avantisundar or Avanti Sundari Katha
   overlaps in content with the* Dasakumaracarita* and is also attributed
   to *Dandin.*
   - Its two fragmentary manuscripts tell a story that is echoed in the
   *Avantisundarkathasara,* a fragmentary thirteenth-century* Telugu*
translation
   of a later, fragmentary* Sanskrit poem.*
   - The two texts could be parts of one prose work by* Dandin *that was
   broken up early in its transmission, or they could be separate compositions
   on the same theme by the same author.
   - Although modern scholars disagree about who was borrowing from whom
   and who was responding to whom, *Bhamaha* appears to have been the first
   and Dandin was responding to him.
   - The two works were apparently studied together and regarded as
   foundational works on Sanskrit poetry by the tenth century.

Significance of literary works

*Dandin - Significance of literary works*

   - Dandin outperforms *Subandhu *by adhering to the rule that the perfect
   be used only to describe things that are not part of one's personal
   experience.
   - He employs imperfections, aorists, the historical present, and active
   and passive participles.
   - This demonstrates his command of the *English language*
   - He employs a *straightforward narrative.* He avoids the error of
   elaboration of language in the speeches of his characters.
   - However, he shows his talent and command of the language in
   descriptions, demonstrating his adherence to the* Vidarbha style.*
   - He's also a master of pleasant sound effects. He avoids harsh sounds
   and exaggeration by using precise expression and clarity of thought.
   - In this way, he achieves beauty,* sound harmony,* and effective
   sentiment expression.
   - In prose, he freely employs the right in order to construct long
   compounds that are easy to comprehend.
   - He employs a variety of *descriptive techniques.* However,
   stereotypical complementary epithets can be seen. In his descriptions, you
   can see the simplicity and vividness of his style.                  KR IRS
   18123

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