tHERE ARE 2 IDIOTS IN THE GROUP WHO WILL DEMAND TEACHING AS THEY HAVE NO
BACKGROUND. sO TOO HERE; IF HE IS SO KNOWLEDGEABLE WHY CAN'T HE FIND IT?
READ WELL THE SENTENCE KR IRS 191123

---------- Forwarded message ---------
From: Narayanaswamy Iyer <[email protected]>
Date: Sun, 19 Nov 2023 at 10:12
Subject: [iyer123] Re: [KeralaIyers] AGNI
To: iyer <[email protected]>
Cc: Narayanaswamy Iyer <[email protected]>


Dear folks

Has the consistent and serial blasphemer, who despises and condemns all
samskaaraams sacred to braahmanas, ever performed as prescribed a single
samidaadanam or a single aupaasanam in his wasted and mahaa-paapam-filled
life?

If not, how is he eligible to comment, even by way of cut-and-paste
pretence, on subjects such as the three fires that orthodox braahmanas
maintain -- the gaarhapathya, the aahavaneeya, and the dakshaagni?

The truculent liar and habitual blasphemer writes, amongst his other Great
Lies and obscenities:-

*"**In the text Devi Māhātmya of the goddess tradition of Hinduism
(Shaktism)........Svāhā is the daughter of Daksha, Svāhā has a crush for
Agni. She seduces him by successively impersonating six of seven women at a
gurukul (school) that Agni desired for, and thus with him has a baby who
grows to become god Skanda – the god of war."*

Exactly where in Devi Maahaathmyam does it say so?

S Narayanaswamy Iyer

On Sat, Nov 18, 2023 at 2:31 PM Rajaram Krishnamurthy <[email protected]>
wrote:

> Agni God of Fire
>
> Agni upon his mount, with flames leaping upwards from his crown
>
> Other names      Mātariśvan
>
> Affiliation   Deva, Dikpāla
>
> Abode       Agniloka
>
> Mantra      Om Agni Vidmahe
>
> Weapon     Āgneyāstra
>
> Mount       Urial
>
> Personal information
>
> Parents      Brahma
>
> Consort      Svāhā
>
> Children     Pāvaka, Pāvamāna, Śuchi, Nīla, Agneya
>
> 2    Agni (Sanskrit: अग्नि, romanized: Agni, Sanskrit pronunciation:  is
> a Sanskrit word meaning fire and connotes the Vedic fire deity of Hinduism.
> He is also the guardian deity of the southeast direction and is typically
> found in southeast corners of Hindu temples. In the classical cosmology of
> the Indian religions, Agni as fire is one of the five inert impermanent
> elements (pañcabhūtá) along with space (ākāśa), water (ap), air (vāyu) and
> earth (pṛthvī), the five combining to form the empirically perceived
> material existence (Prakṛti).
>
>  3   In Vedic literature, Agni is a major and oft-invoked god along with
> Indra and Soma. Agni is considered the mouth of the gods and goddesses and
> the medium that conveys offerings to them in a homa (votive ritual). He is
> conceptualized in ancient Hindu texts to exist at three levels, on earth as
> fire, in the atmosphere as lightning, and in the sky as the sun. This
> triple presence accords him as the messenger between the deities and human
> beings in the Vedic scriptures. The relative importance of Agni declined in
> the post-Vedic era, as he was internalised and his identity evolved to
> metaphorically represent all transformative energy and knowledge in the
> Upanishads and later Hindu literature. Agni remains an integral part of
> Hindu traditions, such as being the central witness of the rite-of-passage
> ritual in traditional Hindu weddings called Saptapadi or Agnipradakṣiṇam
> (seven steps and mutual vows), in the Upanayana ceremony of rite of
> passage, as well being part of the diyā (lamp) in festivals such as
> Deepavali and Aarti in Puja.
>
>  5    The ancient Indian grammarians variously derived it: from root aj,
> which in Sanskrit means "to drive" in the sense of "nimble, agile"; from
> agri, the root of which means "first", referring to "that first in the
> universe to arise" or "fire" according to Shatapatha Brahmana section
> 6.1.1; the Brahmana claims this is cryptically called as Agni because
> everyone including the gods are known to love short nicknames;
>
> according to the 5th-century BCE Sanskrit text Nirukta-Nighantu in section
> 7.14, sage Śakapūṇi states the word Agni is derived from three verbs –
> from 'going', from 'shining or burning', and from 'leading'; the letter "a"
> (अ) is from root "i" which he claims implies 'to go', the letter g"  (ग्) is
> from the root "añj" meaning 'to shine' or "dah" meaning 'to burn', and the
> last letter is by itself the root "nī" (नी) which means 'to lead'. None
> of the three explanations cited above is plausible in the modern linguistic
> sense.
>
> 6    The word Agni is used in many contexts, ranging from fire in the
> stomach, the cooking fire in a home, the sacrificial fire in an altar, the
> fire of cremation, the fire of rebirth, the fire in the energetic saps
> concealed within plants, the atmospheric fire in lightning and the
> celestial fire in the sun. In the Brahmanas layer of the Vedas, such as in
> section 5.2.3 of Shatapatha Brahmana, Agni represents all the gods, all
> concepts of spiritual energy that permeates everything in the universe. In
> the Upanishads and post-Vedic literature, Agni additionally became a
> metaphor for immortal principle in man, and any energy or knowledge that
> consumes and dispels a state of darkness, transforms and procreates an
> enlightened state of existence.
>
>  7    Agni is also famously known as:
>
> Pāvaka – sanctifier of everything;
>
> Havyavāhana – one who carries the sacrificial butter;
>
> Saptajihvi – one with seven tongues (flames); consumes the sacrificial
> butter very fast;
>
> Vahni – travelling with wind;
>
> Anala – as one of the Vasus;
>
> Hutāśana; the glow from the root
>
> Chitrabhānu – colourful light;
>
> Jvalana – glowing;
>
> Vaiśvānara; the wisdom of light in vulva
>
> Vibhāvasu – whose light is wealth;
>
> Dhumaketu – one who is crowned with smoke.
>
> Other names include Śikhī, Pingesa, Plavanga, Bhūritejaḥ, Rudragarva and
> Hiraṇyakṛt.
>
>  8     The earliest layers of the Vedic texts of Hinduism, such as
> section 6.1 of Kaṭhaka Saṃhitā and section 1.8.1 of Maitrāyaṇī Saṃhitā
> state that the universe began with nothing, neither night nor day
> existed, what existed was just Prajāpati (also referred to as Brahman) Agni
> originated from the forehead of Prajāpati, assert these texts. With the
> creation of Agni came light, and with that were created day and night.
> Agni, state these Saṃhitās, is the same as the Brahman, the truth, the eye
> of the manifested universe These mythologies develop into more complex
> stories about Agni's origins in the later layers of Vedic texts, such as in
> section 2.1.2 of the Taittiriya Brahmana and sections 2.2.3–4 of
> Shatapatha Brahmana. Agni is originally conceptualized as the ultimate
> source of the "creator-maintainer-destroyer" triad, then one of the
> trinities, as the one who ruled the earth. His twin brother Indra ruled the
> atmosphere as the god of storm, rain and war, while Sūrya ruled the sky and
> heavens. His position and importance evolves over time, in the
> "creator-maintainer-destroyer" aspects of existence in Hindu thought
>
>  9   The Shatapatha Brahmana mentions there have been three previous
> Agnis and current one is the fourth in the series   Fourfold, namely, was
> Agni (fire) at first. Now that Agni whom they at first chose for the office
> of Hotri priest passed away. He also whom they chose the second time
> passed away. He also whom they chose the third time passed away. Thereupon
> the one who still constitutes the fire in our own time, concealed himself
> from fear. He entered into the waters. Him the gods discovered and brought
> forcibly away from the waters. – 1:2:3:1
>
> 10     The hymns in these ancient texts refer to Agni with numerous
> epithets and synonyms, such as Jātavedas (he who knows all generations),
> Vaiśvānara (relating to all men), Tanūnapāt (son of himself, self-made),
> Narāśaṃsa (who embodies men's praise), Tripatsya (with three dwellings),
> and many others. In Vedic mythologies, Agni is also presented as one who is
> mysterious with a tendency to play hide and seek, not just with humans but
> with the gods. He hides in strange places such as waters where in one myth
> he imbues life force into living beings that dwell therein, and in another
> where the fishes report his presence to the gods.
>
>  11    Agni is in hymn 10.124 of the ṚgVeda, a Rishi (sage-poet-composer)
> and along with Indra and Sūrya makes up the Vedic triad of deities. Agni is
> considered equivalent to and henotheistically identified with all the
> gods in the Vedic thought, which formed the foundation for the various
> non-dualistic and monistic theologies of Hinduism. These theme of
> equivalence is repeatedly presented in the Vedas, such as with the
> following words in the Maṇḍala 1 of the ṚgVeda:
>
> They call it Indra, Mitra, Varuna, Agni,
>
> and he is heavenly-winged Garutman.
>
> To what is One, sages give many a title,
>
> they call it Agni, Yama, Matarisvan.  — ṚgVeda 1.164.46, Translator: Klaus
> Klostermaier
>
>  Upanishads    Agni with an aura of flames, seated on ram.
>
> 12     Agni features prominently in the major and minor Upanishads of
> Hinduism. Among the earliest mention is the legend of a boy named Satyakāma
> Jābāla, of uncertain parentage from an unwed mother, in chapter 4 of the
> Chhāndogya Upanishad (~700 BCE). He honestly admits his poverty and that
> his mother does not know who his father was, an honesty that earns him a
> spot in a Vedic school (gurukul). During his studies, the boy meets Agni,
> who then becomes the metaphor for him as a cardinal direction, world body,
> eye and knowledge, and the abstract principle of Brahman which the
> Upanishad states is in everything and is everywhere Agni appears in section
> 1.13 of Chandogya Upanishad as well.
>
>  13     In verse 18 of the Isha Upanishad, Agni is invoked with, "O Agni,
> you know all the paths, lead me on to success by the good path, keep me
> away from the wrong path of sin".[65][66][d] In sections 4.5–6 of the
> Maitri Upanishad, students ask their Vedic Guru (teacher) about which god
> is best among gods they name, a list that includes Agni. The Guru replies
> that they are all supreme, all merely forms of the Brahman, the whole world
> is Brahman. So pick anyone, suggests the Upanishad, meditate and adore that
> one, then meditate over them all, then deny and discard the individuality
> of every one of these gods including of Agni, thus journey unto the
> universal, for a communion with the Purusha, the Ātman.
>
>  14     Sections 3 and 4 of Kena Upanishad, another major ancient
> Upanishad, present an allegorical story which includes gods Agni, Vāyu,
> Indra and goddess Umā. After a battle between good gods and evil demons,
> where Brahman helps the good gain victory, the gods wonder, "what is this
> Brahman, a wonderful being?" Agni goes first to find out, but fails. Vāyu
> too fails. Then Indra tries, but meets the goddess who already understands
> Brahman, explains what Brahman is and how the good reached victory through
> the nature of Brahman. Indra shares this knowledge with Agni and Vayu. The
> Kena Upanishad closes these sections by stating that "Agni, Vāyu and Indra"
> are revered first because they were the first among gods to realize
> Brahman. The allegorical legend, states Paul Deussen, aims to teach that
> all the Vedic gods and natural phenomenon have their basis in the
> timeless, universal monistic principle called Brahman.
>
>  15     Another ancient major Hindu scripture named Prashna Upanishad
> mentions Agni in its second Prashna (question section). The section states
> that Agni and other deities manifest as five gross constituents that
> combine to make the entire universe, and that all the deities are
> internalized in the temple of a living body with Agni as the eyes.
>
>  Agni is mentioned in many minor Upanishads, such as the Pranagnihotra
> Upanishad, the Yogatattva Upanishad, the Yogashikha Upanishad, the
> Trishikhibrahmana Upanishad and others The syncretic and monistic
> Shaivism text, namely Rudrahridaya Upanishad states that Rudra is same as
> Agni, and Uma is same as Svaha.
>
>  16     Mundaka Upanishad (2.4) mentioned the seven tongues of Agni as
> kālī, karālī, manojavā, sulohita, sudhāmravarṇā, sphuliṅginī and
> visvarucī.Vedic rituals involve Agni. He is a part of many Hindu
> rites-of-passage ceremonies such as celebrating a birth (lighting a lamp),
> prayers (aarti lamp), at weddings (the yajna where the bride and groom
> circle the fire seven times) and at death (cremation). According to
> Atharvaveda, it is Agni that conveys the soul of the dead from the pyre to
> be reborn in the next world or life. However, this role was in post-Vedic
> texts subsumed in the role of god Yama. Agni has been important in temple
> architecture, is typically present in the southeast corner of a Hindu
> temple.
>
> 17    The Agnihotra involves fire, and the term refers to the ritual of
> keeping fire at home, and in some cases making "sacrificial offerings" such
> as milk and seeds to this fire.  The Srauta texts state that it is the duty
> of man to perform Agnihotra. A wide range of Agnihotra procedures are found
> in the Brahmana layer of the Vedas, ranging from the most common simple
> keeping of sacred fire and its symbolism, to more complicated procedures
> for the expiation of guilt, to rituals claimed to grant immortality to the
> performer. According to the Jaiminiya Brahmana, for example, an Agnihotra
> sacrifice frees the performer from evil and death. In contrast, states the
> Shatapatha Brahmana, Agnihotra is a symbolic reminder and equivalent to
> the Sun, where the fire keeper is reminded of the heat that creates life,
> the fire in beings, the heat in the womb behind the cycle of life.
>
> 18     Jātaveda is the fire that carries the quid-pro-quo offerings to the
> gods, in which case Agni is light identified with knowledge and with
> Brahman. In the Jātaveda form, "He who knows all creatures", Agni acts as
> the divine model for the priest. He is the messenger who carries the
> oblation from humans to the gods, bringing the Gods to sacrifice, and
> intercedes between gods and humans (Rig Veda I.26.3). Together with Indra
> and Soma, Agni is invoked in the Rig Veda more than any other gods.
>
> Kravyād (क्रव्याद) is the form of Agni which cremates corpses, the fire
> of the funeral pyre that triggers the recycling of matter and spirit. In
> this way, states Shatapatha Brahmana in verse 2.2.4.8, after one's death
> and at the time of cremation, Agni heats up and burns only the body, yet by
> its heat, one is reborn
>
>  19    Agni is symbolism for psychological and physiological aspects of
> life, states Maha Purana[clarification needed] section LXVII.202–203. There
> are three kinds of Agni inside every human being, states this text, the
> krodha-agni or "fire of anger", the kama-agni or "fire of passion and
> desire", and the udara-agni or "fire of digestion". These respectively need
> introspective and voluntary offerings of forgiveness, detachment and
> fasting, if one desires spiritual freedom and liberation
>
> 19   Agni, who is addressed as Atithi ('guest'), is also called
> Jatavedasam (जातवेदसम्), meaning "the one who knows all things that are
> born, created or produced". He symbolizes will-power united with wisdom.
> Agni is the essence of the knowledge of Existence. Agni destroys ignorance
> and all delusions, removes nescience. The Kanvasatpathabrahmanam
> (SB.IV.i.iv.11) calls Agni "wisdom" (मेधायैमनसेऽग्नये स्वाहेति).[103]
> Agni is symbolism for "the mind swiftest among (all) those that fly". The
> iconography of Agni varies by region The design guidelines and
> specifications of his iconography are described in the Hindu Agama texts.
> He is shown with one to three heads, two to four arms, is typically
> red-complexioned or smoky-grey complexioned standing next to or riding a
> ram, with a characteristic dramatic halo of flames leaping upwards from his
> crown. He is shown as a strong looking man, sometimes bearded, with a large
> belly because he eats everything offered into his flames, with golden brown
> hair, eyes and mustache to match the color of fire. Agni holds a rosary in
> one hand to symbolize his prayer-related role, and a sphere in another hand
> in eastern states of India. In other regions, his four arms hold an ax,
> torch, spoon (or fan) and a flaming spear (or rosary)
>
> 20    Seven rays of light or flames emit from his body. One of his names
> is Saptajihva, "the one having seven tongues", to symbolize how rapidly he
> consumes sacrificial butter Occasionally, Agni iconography is shown in
> Rohitasva form, which has no ram as his vahana, but where he is pulled in a
> chariot with seven red horses, and the symbolic wind that makes fire move
> as the wheels of the chariot In Khmer art, Agni has been depicted with a
> rhinoceros as his vahana The number seven symbolizes his reach in all seven
> mythical continents in ancient Hindu cosmology or colors of a rainbow in
> his form as the sun. Agni has three forms, namely fire, lightning, and the
> Sun, forms sometimes symbolized by giving his icon three heads or three
> legs. He sometimes is shown wearing a garland of fruits or flowers,
> symbolic of the offerings made into the fire.
>
> 21   The earliest surviving artwork of Agni have been found at
> archaeological sites near Mathura (Uttar Pradesh), and these date from
> 1st-century BCE.[113]: 215, 366–367, xix, with caption for Figure 86 In the
> collection at Bharat Kalā Bhavan, there is a red sandstone sculpture from
> around the start of the common era but no later than 1st-century CE,
> identifiable as Agni shown in the garb of a Brahmin, very much like sage
> Kashyapa. In the Panchala coins of Agnimitra, a deity is always present
> with a halo of flames. In Gupta sculptures, Agni is found with a halo of
> flames round the body, the sacred thread across his chest, a beard,
> pot-bellied and holding in his right hand a amrtaghata (nectar-pot).:
> 215–216 Many of these early carvings and early statues show just one head,
> but elaborate details such as ear-rings made of three fruits, a detailed
> necklace, a slightly smiling face wearing a crown, and flames engraved into
> the hairs at the back of Agni's statue. The iconographic statues and
> reliefs of god Agni are typically present in the southeast corners of a
> Hindu temple. However, in rare temples where Agni is envisioned as a
> presiding astrological divinity, according to texts such as the Samarangana
> Sutradhara, he is assigned the northeast corner.
>
> 21   Agni is historically considered to be present in every grihastha
> (home), and therein presented in one of three forms – gārhapatya (for
> general domestic usage), āhavaniya (for inviting and welcoming a personage
> or deity) and dakshinagni (for fighting against all evil).[115] Yāska
> states that his predecessor Sākapuṇi regarded the threefold existence of
> Agni as being in earth, air and heaven as stated by the Rig Veda, but a
> Brāhmana considered the third manifestation to be the Sun.
>
> Agni seated on a ram, 14th–15th century Indonesia.
>
> A sage of the Ṛg Veda (Sūkta IV.iii.11) states that the Sun became visible
> when Agni was born.
>
> Offended by Agni, Bhṛgu had cursed Agni to become the devourer of all
> things on this earth, but Brahma modified that curse and made Agni the
> purifier of all things he touched
>
> In the "Khāṇḍava-daha Parva" (Mahābhārata CCXXV), Agni in disguise
> approaches Krishna and Arjuna seeking sufficient food for gratification of
> his hunger; and on being asked about the kind of food which would gratify,
> Agni expressed the desire to consume the forest of Khāṇḍava protected by
> Indra for the sake of Takṣaka, the chief of the Nāgas. Aided by Krishna and
> Arjuna, Agni consumes the Khāṇḍava Forest, which burnt for fifteen days,
> sparing only Aswasena, Maya, and the four birds called sarangakas; later,
> as a boon Arjuna got all his weapons from Indra and also the bow, Gāṇḍīva,
> from Varuṇa
>
> There is the story about King Shibi who was tested by Agni assuming the
> form of a pigeon and by Indra assuming the form of a hawk; Shibi offered
> his own flesh to the hawk in exchange of pigeon's life. The pigeon which
> had sought Shibi's shelter was thus saved by the king's sacrifice
>
> Agniparīkṣā or 'the Fire test' has Agni as the witness. In the Rāmāyaṇa,
> Sītā voluntarily goes through this ordeal to prove her virtue.
>
> Agni is the eldest son of Brahma. In the Viṣṇu Purāṇa, Agni, called
> Abhimāni is said to have sprung from the mouth of the Virāt Puruṣa, the
> Cosmic Man. In another version, Agni emerged from the ritual fire produced
> by the wife of Dharma (eternal law) named Vasubhāryā (literally, "daughter
> of Light")
>
> According to the Puranic mythology, Agni married Svāhā (invocation
> offering) and fathered three sons – Pāvaka (purifier), Pāvamāna (purifying)
> and Śuchi (purity). From these sons, he has forty-five grandchildren which
> are symbolic names of different aspects of a fire. In some texts, Medhā
> (intelligence) is Agni's sister.
>
> 22   Goddess Svāhā is Agni's wife. Her name is pronounced with offerings
> such as butter and seeds poured into the fire during ceremonies. However,
> like many names in Hindu traditions, the name Svāhā embeds symbolic
> meanings, through its relationship with the Vedic word Svadhā found in the
> hymns of the ṚgVeda. Thomas Coburn states that the term Svadhā refers to
> "one's own particular nature or inclination", and the secondary sense of "a
> customary pleasure or enjoyment, a refreshment that nourishes". Svāhā is
> also found in the hymns of the Vedic literature, in the sense of "welcome,
> praise to you". This salutation is a remembrance of Agni, as an aspect of
> that which is "the source of all beings". As a goddess and wife of Agni,
> Svāhā represents this Shakti.
>
>  In the text Devi Māhātmya of the goddess tradition of Hinduism
> (Shaktism), and in the Hindu mythologies, Svāhā is the daughter of Daksha,
> Svāhā has a crush for Agni. She seduces him by successively impersonating
> six of seven women at a gurukul (school) that Agni desired for, and thus
> with him has a baby who grows to become god Skanda – the god of war. Other
> chapters suggest he was the son of the god Shiva.
>
> The Mahābhārata also mentions that when Agni was residing at Mahishmati he
> fell in love with the daughter of king Nila. In the guise of a Brahmana, he
> asked for the hand of the princess, but the king refused and was about to
> punish him. Agni revealed his true form and flamed up in wrath. The
> frightened king apologized and bestowed his daughter on Agni. In return,
> Agni promised protection of the city during any invasion]
>
>  23    Agni is identified with same characteristics, equivalent
> personality or stated to be identical as many major and minor gods in
> different layers of the Vedic literature, including Vāyu, Soma, Rudra
> (Shiva), Varuṇa and Mitra. In hymn 2.1 of the ṚgVeda, in successive verses,
> Agni is identified to be the same as twelve gods and five goddesses.
>
> Prajāpati: The vedic text Shatapatha Brahmana, in section 6.1.2 describes
> how and why Prajāpati is the father of Agni, and also the son of Agni,
> because they both are the image of the one Ātman (Soul, Self) that was, is
> and will be the true, eternal identity of the universe. The Prajāpati,
> cosmic Purusha and Agni are stated to be the same in sections 6.1.1 and
> 6.2.1 of Shatapatha Brahmana.
>
> Varuṇa and Mitra: when Agni is born, he is Varuṇa; when he is kindled, he
> is Mitra. He is also stated to become Varuṇa in the evening, and he is
> Mitra when he rises in the morning
>
> Indra: Agni is generally presented as Indra's twin, they both go and
> appear together In chapter 13.3 of the Atharvaveda, Agni is said to become
> Indra when he illumines the sky.[126] Agni is also called Vishva-Vedāh,[f]
> "dawn," which refers both to Indra, the Protector, and to the all-knowing
> Agni.
>
> Rudra: in the ṚgVeda Agni is addressed as having the same fierce nature as
> Rudra.g] The Shiva-linga represents that pillar of fire which is Agni, a
> Skambha symbolism borrowed in some Buddhist artworks. The verses 8 through
> 18 in section 6.1.3 of the Shatapatha Brahmana state Rudra is same as Agni,
> who is known by many other names. Later, in section 9.1.1, the Shatapatha
> Brahmana states, "this entire Agni (fire altar) has now been completed, he
> is now this god Rudra".
>
> Savitr (Sun): Agni is same as Savitr during the day, as he traverses the
> space delivering light and energy to all living beings.
>
> Vāyu and Soma: in the Vedas, Agni or 'fire' (light and heat), Vāyu or
> 'air' (energy and action), and Soma or 'water', are major deities who
> cooperate to empower all life. In some passages, they are stated to be
> aspects of the same energy and principle that transforms.
>
> Gāyatrī: is identified with Agni in Aitareya Brahmana section 1.1,
> Jaiminiya Brahmana section 3.184 and Taittiriya Brahmana section 7.8, and
> the most revered Gayatri meter in the Sanskrit prosody and Hindu traditions
> is associated with Agni.
>
> Vāc (goddess of speech) and Prāṇa (life force): are identified with Agni
> in Jaiminiya Brahmana sections 1.1 and 2.54, Shatapatha Brahmana sections
> 2.2.2 and 3.2.2
>
> Sarama: in a hymn in praise of Agni,[h] Rishi Parāśara Śāktya speaks of
> Saramā, the goddess of Intuition, the forerunner of the dawn of Truth in
> the Human mind, who finds the Truth which is lost.[i] It is Saramā who is a
> power of the Truth, whose cows are the rays of the dawn of illumination and
> who awakens man who finds Agni standing in the supreme seat and goal.
>
> K Rajaram   IRS   18  11 23
>
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