Disclaimer: This is a work of amateur, non-profit, fan  fiction and is not 
meant to infringe on the copyrights of Anne Rice,  or her publishers. The 
lyrics 
used are from London After Midnight,  no copyright infringement intended, 
just thank you guys for such  wonderful music!  
Spoilers: Up to and including TVA.  
Dedication : For Louis Ravensfield, vampire showman  extraordinaire, for 
uniting lovers of the dark side throughout  Britain and Europe. Never say die, 
my 
coven master.;) 



by Beverley
[EMAIL PROTECTED] 
(mailto:[EMAIL PROTECTED])   




Here behind these eyes, here inside my soul, 
Hear the  screams of a crucifixion ring through the dark, ring through the  
cold. 
Reach up and pull me down into your hallowed ground, I'll  lead you into 
temptation, buried in passion
I'll lead you down.  
'This Paradise' ~ London After Midnight  



Reflection is an art that a vampire can sharpen to the finest  degree.  
I am not one of those that seek the public adoration of the  masses. Some of 
our kind are as addicted to this cheap thrill as  much as they are enslaved to 
the bloodlust.  
But tonight I feel the need to commit my emotions onto parchment.  It does 
not matter how I came to be here. The details of my journey  are mine to keep 
alone. Be grateful for the chance to see this at  all.  
My surroundings are simple but functional, and all that I  require.  
An old farm building attached to a once bustling stable block,  previously an 
oasis for the weary traveller in this vast land. I can  see the arched 
entrance from my viewpoint, with the battered wooden  name sign hanging from 
one 
chain. Above me the crisscross of old dry  beams amazingly support the tiled 
and 
patched roof. Something tells  me that the strength of the cobwebs has more 
superiority than the  archaic timber.  
I stretch my limbs before swinging down from the old hayloft and  I use the 
cemented horseshoes in the walls to descend from my  vantage point. I see no 
usefulness in expending energy  unnecessarily.  
Outside of this crumbling barn the air is heavily pregnant with  heat. The 
substance of it seems to be solid, but I am drawn to the  heat of the night, a 
reminder of lost summer days where the blue of  the sky was too perfect to 
recreate in any artist's palette.  
Forgive me for a hint of sentimentality. I carry some weaknesses  still, but 
in this silent place I can drop my guard, the time worn  stones have no 
tongues to tell of my frailty.  
I pad outside to face the night. There are no stars, but the sky  is bruised 
with a blue black hue with only the flaxen light of the  new full moon to 
puncture the nightfall.  
The vines stand like sentries, falling away down the rolling  hillside, until 
they too are swallowed by the gloom. Behind me are  trees, their dark outline 
like tumbleweed against the horizon. And  everywhere are the noises of the 
night, the beep of the tree frogs  and the rasping cicadas and far, far away 
the 
haunting screech of an  owl.  
The pull of this land is very strong. I feel the heartbeat of the  earth as 
clearly as I hear the drumming of any mortal heart.  
The rich soil stubbornly clings to my boots as I slowly make my  way through 
the heavily fruited vines. The night air is sweet and  thick, a cleansing 
transfusion. I catch the scent of the village,  throbbing with life, but I am 
not 
hungry.  
Sometimes abstinence makes for clearer thoughts', fasting is good  for the 
soul but I had long ago stopped worrying about the condition  of mine.  
A ghostly shape darts towards me and silently the owl tears a  hapless mouse 
from my feet. I have a certain affinity with this  nocturnal hunter. I respect 
the skills involved.  
The vines end at a low stone wall and I vault this effortlessly.  
A sea of sleeping sunflowers greets my eyes; their heads bowed  shyly, all 
eagerly awaiting the first rays of the morning sun. There  are thousands of 
such 
fields in this corner of France, so many that  some are left to wilt and 
decay in the scorching heat, which once  nourished the very essence within 
them.  
I move on.  
Decay does not distress me. I have seen far too much of it over  the 
centuries. I do not get close to ones of mortal stature, your  lifetime is 
brief and I 
do not wish to feel compassion. I have spent  most of my immortality avoiding 
relationships of any kind.  
I am the silent one of the coven, spoken about at reunions in a  hushed 
whisper lest news of me reaches the ears of the elders.  
Lestat once told me that he envied my anonymity, laughing as he  spoke and 
touching my shoulder in a show of affection. I only nodded  in reply but he 
understood.  
Two minutes in his company is almost enough. He glows like a  firefly in the 
night but I have this urge to squash him underfoot  for his impudence in 
revealing our secrets to the 20th century.  
These thoughts are with me as I track through a glade of trees  clinging to 
the hillside, their gnarled roots a trap for unwary  limbs.  
Occasionally the moon finds a way to illuminate my path. I do not  need the 
light but it is strangely comforting. Even dead things love  the light.  
I wonder if I will find you again at the place to which I travel  and I am 
annoyed with myself for daring to care.  
The glade has become a vast army of coniferous trees with a soft,  forest 
track beneath my feet. I duck beneath the claw like lower  branches as they 
snatch strands of my long, dark hair from my once  neat ponytail.  
And there it is below me in the moon glow surrounded by a  pathetic wire 
fence. It is almost indistinguishable in the dappled  light but to vampire 
vision 
it is dazzling in its brilliance.  
Nearly two thousand years have passed and still the glory of its  infant 
years reverberates from these ancient stones.  
An elliptical expanse of golden sand carpets the arena floor  where once 
mighty chariots raced in anger and innocent blood seeped  unnoticed into the 
sand. 
 
In three bounds I am standing on the soft surface with the public  access to 
the arena behind me. I close my eyes and can almost hear  the excited voices 
from the crowd; one mans voice above the rest,  frantic in its delight.  
~"It is Claudius, I see him now!"  
The roar from the multitude echoes from the walls, even stirring  the 
nobility seated on the podium, the first level of seating.  
>From the eastern portal there comes a triumphant melee of sound  as the 
gladiators enter in their mighty procession, the 'pompa', and  in the same 
vision 
as if in complete contrast I see the western  portal where the dead and dying 
are dragged like abattoir meat,  their usefulness gone, like a rose snapped at 
the neck.  
All this was the fragile equilibrium of roman society maintained  by the 
richest classes who provided the general populace with  adequate food supplies 
and 
leisure activities, the 'panem et  circensos',' bread and games', and what 
deadly games.~  
The soft breeze whips through the eastern portal and flicks my  hair across 
my face bringing me back to this reality.  
Encasing oneself in history is a way of not dealing with the  present.. or 
the future.  
I catch the aroma of freshly laundered cotton and I swallow the  growl of 
pleasure in my throat. To play it cool, as they say these  days, is the most 
sensible option. It would not be credible to my  reputation to let you know 
just 
how violently my heart was beating.  
And there you are seated upon one of the lowest stones in the  podium, legs 
apart, head bowed, fingers clasped, blond hair candle  bright in my vision.  
I approach you, knowing that your ears are honed to pick up the  slightest 
change in my breathing pattern, and I give you what you  desire. One exhale of 
breath that lasts a little longer as I let it  escape through my lips.  
Your head jerks upright, wide bright eyes, a slight twitch of a  muscle in 
your jaw line.  
"The rumours are true?"  
My question is really a statement. No need for the pleasantries  of a formal 
greeting.  
The lowering of your eyes and the sudden firm set of your lips is  my answer. 
 
You expect me to continue but I pause waiting for the anger to  rise in you 
which I know it will. How many nights have you come to  me now, so childlike in 
your stubbornness..  
"I feel like he's bled me dry."  
You spit your words like snake venom onto the sand.  
The pain of your betrayal takes my breath away, but pain is such  a 
catharsis.  
My move now and one word that I know inflames you.  
Your name uttered softly with emphasis on the last syllable, so  much that it 
sounds like its feminine equivalent.  
"Dan-i-el.."  
One hand entwined in your soft hair and one to turn your face to  mine.  
You close your eyes; your slightly parted lips my invitation.  
And I take what I know is now mine, tasting the dried salt of  your blood 
tears on your lips, committing the taste to memory in  case this feast is taken 
from me.  
I pull away before the moment takes me; this is not the place or  the time.  
You rest your head against me and I stroke the hair from your  neck, 
patiently waiting for your next move.  
Submission comes in many forms and you are one of its finest, but  you are 
submission under a different name, surrender with a tinge of  dominance, a 
capitulation coated in the soft cloak of near madness,  but underneath this, an 
iron clad determination to survive.  
The Master has finally gained a pupil worthy of his attentions.  
It seems like life is cyclic, even for a vampire.  
For as Marius taught Amadeo I now have gained Daniel. Prohibited  possessions 
are always the most coveted.  
And who am I?  
I am not going to answer that question. Your evidence is in my  text. Pay 
attention to my words, I do not suffer fools gladly. 

 (http://www.tc.umn.edu/~pres0049/Storypage.html) 






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