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Absolutely
thrilling! Posted: December 9, 2005 © 2005 WorldNetDaily.com Almost 100 million people
have read "The Lion, The Witch And The Wardrobe," in a publishing
universe where most books sell less than 10,000 copies, according to the
publishers. The book is credited with leading many people to know Jesus Christ
and is a favorite among Christians, although many readers have said that they
have missed the book's clear Christological allusions. The great news is that the Disney movie, produced in
conjunction with Walden Media, is not only very entertaining, but clearly
retains the deeper truth and essence of C.S. Lewis's great novel, the first in
his great seven-part "Chronicles Of Narnia" fantasy series. In this regard, C.S. Lewis wanted the story to get past the
"watchful dragons" of young minds trained by an increasingly secular
British culture to help the readers understand the good news of Jesus Christ.
He revealed his method in his March 1961 letter to a young girl named Anne: I think you will probably see
that there is a deeper meaning behind it. The whole Narnian story is about
Christ. That is to say, I asked myself "Supposing that there really was a
world like Narnia and supposing it had (like our world) gone wrong, and
supposing Christ wanted to go into that world and save it (as He did ours) what
might have happened?" The stories are my answers. Since Narnia is a world of
Talking Beasts, I thought He would become a Talking Beast there, as He became a
man here. I pictured Him becoming a lion there because (a) the lion is supposed
to be the king of beasts; (b) Christ is called 'The Lion of "The Magician's Nephew"
tells the Creation and how evil entered Narnia. "The Lion" etc. the
Crucifixion and Resurrection. "Prince Caspian"
restoration of the true religion after corruption. "The Horse and His Boy"
the calling and conversion of a heathen. "The Voyage of the Dawn
Treader" the spiritual life (especially in Reepicheep). "The Silver Chair" the
continuing war with the powers of darkness. "The Last – Source: "Bluspels and Flalansferes: A Semantic
Nightmare," in "Selected Literary Essays," Walter Hooper, Very, very few people will see the slight divergences that the
movie takes from the novel. And, even fewer will see the few very subtle
theological shifts in the new movie. So the great news is that the movie works
well and is a great tool for the church to help people understand the truth of
the Gospel of Jesus Christ. The movie itself starts slightly before the book with an air
raid in During a game of Hide and Seek, Lucy stumbles on an old
wardrobe. The wardrobe leads her to Narnia, a world with talking animals and
mythical creatures. There, she meets a faun, who thinks better of kidnapping
her and puts his life in jeopardy by letting her return to the world of men. The evil White Witch has taken control of the land, turning it
into a state of forever winter but never Christmas. A prophecy says that four
sons and daughters of Adam and Eve will be brought to Narnia to assist Aslan,
the son of the Emperor-Beyond-the-Sea, free Narnia from the White Witch. To
thwart the prophecy, the White Witch has told the creatures of Narnia that, if
they see a son or daughter of Adam and Eve, they should kidnap them and bring
them to her. When Lucy returns to the world of human beings, her brothers
Edmund and Peter and her sister Susan do not believe she was in Narnia. Lucy
goes to Narnia through the wardrobe a second time. Edmund follows her and
becomes a pawn of the White Witch. Like Satan, the White Witch offers Edmund something that he
already has, the authority to rule Narnia, and traps him with a counterfeit
sacrament of Turkish Delight, a jelly confection dusted with sugar. Edmund's
sisters and brother must find Aslan to try to set him free. Aslan tells the
White Witch that he will die to pay the penalty for Edmund's treachery, but not
that his resurrection will once and for all break her control over Narnia. "The Lion, The Witch And The Wardrobe" is very
exciting. The excitement is heightened by a compelling sense of The production quality is much greater than the sum of its
parts. The camerawork is superb. The computer-generated images are enchanting.
Aslan comes to life in a magnificent way (he is a real lion!) as do all the
creatures of Narnia. The four children are very good, especially Lucy, and the
only regret is that Peter and Susan are not given meatier lines. Ms. Swinton would have been a better White Witch if she had
been allowed to be more seductive, but her costume often cocoons her personality.
The music is good, though not great. The direction is very exciting and
entertaining, though it lacks nuance and depth. But, aside from critical
nitpicking, the movie is spectacular! C.S. Lewis never wanted a movie made of
his books, but one can even imagine that he would be proud of this production,
and so everyone involved deserves high praise. As noted, the movie has retained its theological foundation,
even though the filmmakers have deleted some important scenes that are in the
book and added others that seem trivial. Even so, some of the theology has been
toned down. These changes are subtle, with a little more emphasis on the
Creation rather than the Creator. There are no direct references to the
Emperor-Beyond-the-Sea, for instance. Also, the sacramental communion banquet with the coming of
Father Christmas and the gifts of the Spirit has been truncated into a very
brief scene with Father Christmas. Finally, the resurrection romp with Aslan,
Lucy and Susan has been eliminated, and the movie focuses more on the children
being the solution to the evil in Narnia when in fact the victory is Aslan's,
and the children, just like people in our world, are more than conquerors only
because they are heirs to the victory that Aslan wins on the stone table (or,
rather, Jesus Christ won on the cross!). Andrew Adamson said that when he directed the movie, he started
from his memory. He felt that the book was too thin, so the movie reflects his
memory of the book, not the actual book. He understands the element of
sacrifice and redemption, but his concern was for the empowering of the
children. Clearly, his perspective helped produce the subtle shift from the
great clarity of the book itself, but his love for the original source
ultimately keeps the movie on target. Therefore, you have to be very close to the book and very
theologically astute to notice the changes. In fact, the movie is a very clear
Christological allusion, or imagining, of the story of Jesus Christ. The minor
changes do not take away from that meaning in the book, which lifts up the Son
of God, Jesus Christ, as our deliverer from the eternal winter of sin and damnation.
After months of anticipation, those who love Narnia can rejoice
that Disney and Walden have given them a wonderful movie that tells the story
in an entertaining, exciting, thrilling and respectful way. Please note, however, that there is some action, violence and
scary creatures that may be too strong for younger children seven and under. |
