Correct me if I'm wrong, but I was under the impression the "Live On
Letterman" concert series usually was not a connection to that night's LS.

On Fri, Apr 10, 2015, 18:58 Kevin M. <[email protected]> wrote:

> Either that or they want to work out a way to either monetize it or
> prevent it from interfering with their own digital content.
>
>
> http://www.hollywoodreporter.com/news/looming-war-between-major-labels-787871
>
> A few of the mentioned tipping points were the costly to produce Van Halen
> and Paul McCartney performances on Kimmel that offered no return on
> investment (and, in my opinion, anyone who heard the Van Halen live set was
> disinclined to want to buy concert tickets, and I say that as I fan of the
> DLR era of VH).
>
> I do enjoy the Live on Letterman performances, even if I'm not a fan of
> the artists the shows are always well produced with good audio. And it does
> remind me of being on set at the Tonight Show during sound checks by guest
> bands, which was probably the highlight of being an NBC Page.
>
> To the larger issue, the monetization of the internet is going to be a big
> deal in the coming decade. YouTube is about to announce a new method of
> cash for views, and apps like Spotify that have gotten away with murder.
> Sites like HuffPo that used to be dominated by original content are now
> essentially in the business of click-bait tactics, stealing the content of
> others and reposting it under their banner. There's going to be a tipping
> point... as Steve mentioned Netflix's Daredevil marking the end of yet
> another thing previously thought to be the domain of the network, the
> old-school content providers are going to have to bend, as are the
> new-school distribution outlets. Just not sure what that tipping point will
> be yet.
>
> --
> Kevin M. (RPCV)
>
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