Zack Stentz, a TV writer (e.g.  “Fringe,” & “The Flash”) had an opinion
piece in the LAT today arguing that the unappreciated consequences of the
migration from broadcast to streaming are 1) a significant reduction in the
size of writers rooms (from like 10-12 to around 6) and 2) a disconnection
between writing and production.

Streaming shows tend to have fewer episodes, often written mostly or
entirely by the Creator, and often all the episodes are written before the
show starts production, meaning that only the main writer/show runner is
around during production, to work with actors and deal with budgets and
production problems. Stentz worries that this will mean that in a few years
very few writers will have the kinds of experiences that allow them to work
their way up the ladder to run their own shows. He says there are already
examples of Creator/Show runners not being able to get scripts produced on
budget and time due to inexperience, and (somewhat inexplicably to me)
states that there will be less diversity of writing voices, I guess as the
few experienced writers make more of the shows (but, really, with there
being so much more content demanded to feed the streaming monster?).

The concern about fewer episodes and smaller writing staffs I guess is
expected in any field experiencing rapid transition. And he accurately
points out that several of the Golden Age TV Creators learned their craft
on the assembly line of broadcast TV. However, as has often been observed
on this list over the years, the quality of American television has not
always been well served by having bloated, 20+ episode seasons.

https://www.latimes.com/opinion/story/2022-08-27/broadcast-television-tv-writers-streaming

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