Movies and shows that are being removed from streaming services ARE still 
available, but, of course, in an unofficial, not-legal manner (they’re on 
torrent sites, and probably some dark web locations).


> On May 22, 2023, at 6:35 PM, PGage <pga...@gmail.com> wrote:
> 
> Matt Belloni at Puck News has a story out that, while it doesn’t exactly 
> break new ground, crystallizes in a dramatic way what is happening in 
> television right now. As he puts it, “the Great Netflix Correction has 
> officially become the Great Streaming Purge.” 
> 
> He means that the draconian cuts made infamous by Zas at WBD are now becoming 
> the norm in the industry. Iger at Disney is determined to cut $3 Billion this 
> year. Streamers will still be spending a lot of money on production of 
> course, but more and more focused on content that is watched by significant 
> fractions, and that drive sign-ups and limit churn. 
> 
> One of the things this means is a return to the television content lifespan 
> that Boomers grew up with, but will feel new and intolerable to most everyone 
> younger: most shows and films will (if lucky) live long enough to be enjoyed 
> once, maybe twice, and then disappear, often for good, not living on 
> infinitely on VHS, DVD or evergreen streams.
> 
> What I did not really understand until now (even though WBD kept claiming it, 
> but they are hard to believe) is that available content in a streaming 
> library is not cost-neutral to the streamer. I had assumed that if nobody is 
> watching a bad film that is available on Disney+, it does not cost Disney 
> anything (aside from original cost to make it or purchase it). But that’s not 
> true. Apparently, just making a film or show available for streaming incurs a 
> significant licensing fee cost. We need to think of every show and film on a 
> Streamer’s available archive as if it were actually being exhibited or shown 
> on a TV channel, (I.e. there are as many channels exhibiting licensed content 
> as there are individual films or shows in a Streamers archive) and that means 
> you have to pay the owner of the content their fee, whether it is being 
> watched by millions or by no one. 
> 
> Streamers original strategy was to have so much content always available that 
> it drive subscription sign-ups and kept subscribers paying every month. That 
> worked for a while, especially for Netflix. But not anymore. Mist subscribers 
> will not subscribe or stick around just because they can always find 
> something to watch; they come for what they want, then leave and go some 
> place else. Now all that Un or under-watched content is all cost and no 
> benefit, and Streamers are wanting to eliminate them.
> 
> Belloni notes that residual payments to writers and actors make up a very 
> small slice of the cost to streamers, and are not really a factor in the 
> Purge (so go ahead and increase their residuals).
> -- 
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