Friday, May 21, 2010 at 7:30 pm

BRUCE MOLSKY & ALE MOLLER
Appalachian old time and Swedish traditional music
"The Rembrandt of Appalachian fiddling." - Darrol Anger. 
"Among the most talented, active and prolific on the Swedish scene." - Dirty 
Linen
Crossroads Music 

48th and Baltimore Ave. (in Calvary United Methodist Church)

http://www.crossroadsconcerts.org or 215-729-1028 

Tickets are $20, $10 discount, $30 for supporters, $5 for 12 and under.

One of the most influential old-time fiddlers of his generation, BRUCE MOLSKY 
is also a remarkable guitarist, banjoist and singer. His high-spirited music 
melds the archaic mountain sounds of Appalachia, the power of blues and the 
rhythmic intricacies of traditional African music. Bruce grew up in the Bronx 
listening to rock and blues and played bluegrass guitar in college, but after 
going to an old-time fiddle festival with a friend, he discovered his true 
vocation. 

In the early 70s, he moved to Virginia's Blue Ridge Mountains to learn from 
renowned musicians like Tommy Jarrell and Albert Hash. Thanks in part to his 
time spent with these old masters, he has earned numerous awards at fiddle and 
banjo contests around the south, including Galax, Virginia; Mount Airy, North 
Carolina; and the Appalachian String Band Festival in West Virginia and his 
albums have won "Indie" awards for Best Traditional Folk Recording, received 
great praise from the Washington Post, Washington Times, Bluegrass Unlimited 
and others, and become staples for traditional music enthusiasts everywhere. 

While Bruce approaches southern roots and blues with great depth of spirit, 
intimacy, and huge respect for the past, he is also known for his 
collaborations with musicians from many other traditions, including Irish, 
Scottish, Cajun, and Swedish and his wide-angled approach to traditional folk 
music has influenced a generation of players.

ALE MOLLER's first musical passions were jazz, swing and be-bop. After several 
years playing trumpet and guitar, he became seriously interested in Greek 
music, but soon realized that the verve of that music springs from the players' 
sense of identity and ethnic history. This awareness brought him back to his 
own background in Sweden and the surviving Swedish folk music. Ale spent 10 
years in Darlarna, a region that has preserved the Swedish fiddling tradition. 
He studied the tunes in depth, but instead of playing them on a fiddle, he 
translated them into bouzouki. To reconcile the traditional Swedish music with 
his Greek instrument Ale had to alter the bouzouki. He had a number of 
instruments crafted until he obtained the appropriate scales and sound and 
became a key figure in the overall recreation of Swedish music tradition that 
took place in the 80s. 

Ale's innovative approach found expression in his following projects, such as 
"The Fiddling People" and "Bouzoukispelman." Ale not only combined music 
traditions from the various regions of Sweden, but he merged them with 
Brazilian and African tunes. Ale Moller Band follows the above line of musical 
search. It features musicians with expertise in Swedish, Greek, West African, 
Norwegian, Afro-Cuban, Indian and Latin traditionism as well as jazz. This 
colorful group uses a variety of instruments to communicate with its audience. 
Reflecting their diverse background, Ale Moller Band searches for the right 
notes to tell the stories it has learned – and plays them.

Crossroads Music is in part supported by the Philadelphia Cultural Fund and the 
Samuel S. Fels Fund.

This project is supported by the Pennsylvania Council on the Arts, a state 
agency, through the Pennsylvania Partners in the Arts (PPA), its regional arts 
funding partnership. State government funding for the arts depends upon an 
annual appropriation by the Pennsylvania General Assembly and from the National 
Endowment for the Arts, a federal agency. PPA is administred in this region by 
the Greater Philadelphia Cultural Alliance.



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