Sorie Kondi
Virtuoso street music from Freetown, Sierra Leone 
"Check the sweet lilting grooves of Sorie Kondi, a master of a traditional 
thumb piano-like instrument." - Africa Express

Saturday, October 6 at 7:30 pm

At Calvary Center, 801 South 48th Street, Philadelphia

Tickets ($10-30), sounds, and more information at www.crossroadsconcerts.org

Sorie Kondi is a virtuosic folk musician from the small West African country of 
Sierra Leone. He plays the Sierra Leonean version of a thumb piano called the 
Kondi, an instrument he has taken as his last name, and sings in four different 
languages (his mother tongue Loko, Temne, Krio, and English). He is also an 
innovator who has developed both a new type of electrified kondi and a unique 
playing style.

Kondi was born blind in the city of Makeni around 1968. He never went to school 
but began to play the kondi, a traditional instrument of Sierra Leone as a 
teenager. It was soon apparent that he had a special talent for music, and by 
1984 he started earning some small money by playing at ceremonies and 
travelling to nearby villages.

In 1996, civil war forced him to leave his home and seek refuge in the capital 
of Freetown. He began recording his first album there in 1998, and finished it 
just before the war reached the city and nearly all the inhabitants fled. 
Abandoned, Kondi hid inside his house for 5 days while much of the city was 
looted and burned down. When the dust settled, the master tapes had been lost 
and his career plans derailed.

Having lost his chance to commercially release a cassette, Sorie Kondi made a 
name for himself as a street musician. His daily busking on the streets of 
Freetown made him familiar to many residents in Sierra Leone’s capital city, 
but Sorie Kondi’s popularity was not enough to bring him out of the grinding 
poverty that many of the country’s citizens experience.

A trip in 2006 to the Lungi region, across the bay from Freetown would provide 
Kondi with a golden opportunity to put his career back on track. By chance, an 
American recording engineer spotted him playing his kondi, and asked to include 
him in the anthology of Sierra Leonean music he was working on. In February 
2007, a prominent local businessman heard this recording and sponsored his 
first album, "Without Money, No Family."

While all of these recording opportunities have boosted his morale, he 
continues to live in destitute poverty, struggling to find his daily bread. (In 
2010, his daily struggle for survival, the reality of poverty, and the struggle 
to raise school fees for his children was chronicled in a short BBC 
documentary). In Sierra Leone, artists earn most of their money from album 
launchings and live performances in foreign countries as cassete manufacturers 
and distributors pay very low royalties and Crossroads is very pleased to 
welcome Sorie Kondie on his first American tour.
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