I'm thought musical works entered the public domain after some number of years (I forget how many) following the composer's death. One of the problems is that there is no international definition of public domain, all countries have their own. It's possible the publishing companies (not the composers) still hold the copyright to the songs you mentioned though.
Having tried on many occasions to get the bottom of when I have to pay mechanical license fees for what I record, how I get paid performance royalties for radio stations playing my recordings, how ASCAP and BMI figure out what they pay out to their members (which actually amounts to zero unless you happen to be Bruce Springsteen or the like), it's clear to me that whole area of music copyright and royalties is a huge, impossible to understand, mess. Pete Molly's Revenge <http://www.mollysrevenge.com> On Thu, Aug 11, 2011 at 1:51 PM, Judy Perry <jper...@ecs.fullerton.edu>wrote: > I agree wholly. > > However -- it's worth noting AGAIN that Steamboat Willie is STILL under > copyright. If IP law continues in this direction, it and anything produced > afterwards may NEVER enter the public domain. > > Also -- there's some controversy that the popular song, "Happy Birthday", > is under copyright. > > O_o > > Judy > > On Thu, 11 Aug 2011, Pete wrote: > > <snip> > > There is no justification for stealing >> music, it's no different than pirating software. >> > > ______________________________**_________________ > use-livecode mailing list > use-livecode@lists.runrev.com > Please visit this url to subscribe, unsubscribe and manage your > subscription preferences: > http://lists.runrev.com/**mailman/listinfo/use-livecode<http://lists.runrev.com/mailman/listinfo/use-livecode> > > _______________________________________________ use-livecode mailing list use-livecode@lists.runrev.com Please visit this url to subscribe, unsubscribe and manage your subscription preferences: http://lists.runrev.com/mailman/listinfo/use-livecode