In a live perfomance, the venue pays for the privilege of allowing the
musician to perform copyrighted material via ASCAP and BMI
'membership'.  If a recording is made, the musician pays for the
privilege of distributing the copyrighted material.  Some friends of
mine in a band who released a live recording are continuously
grumbling about the royalties on the 'covers' they played in that show.


Adam Jochum
cafn8ed.tv


--- In videoblogging@yahoogroups.com, "missbhavens1969"
<[EMAIL PROTECTED]> wrote:
>
> Well, I was under the impression that musicians/bands covering a tune
> for a recording would certainly need permission on the assumption that
> money would be made from the sale of the album.
> 
> But every band in every live concert I've ever seen has done at least
> one cover (always my favorite part of a show...you can't judge a book by
> it's cover but you CAN judge a band by it's covers) and I can't imagine
> they sought permission first.
> 
> Oh well. There must be some sort of "if you're already famous you can do
> a cover of my famous song" clause.
> 
> In the meanwhile, I'm going to brush up on my piano skills. I've always
> wanted to use "Song for a Future Generation" by the B-52s. Perhaps I'll
> cover that.
> 
> bekah
> 
> ps: David, my fiancee informs me that we no longer say "bastard
> red-headed step children". The more accepted term is "Gingers".
> 
> ; )
> --
> http://www.missbhavens.com
> 
> 
> --- In videoblogging@yahoogroups.com, "David Howell" <taoofdavid@>
> wrote:
> >
> > Interesting.
> >
> > So, all musicians or bands covering a tune must get permission first
> > or pay fees? Does that include if they cover a song in an encore or
> > something too?
> >
> > Adam's music might have to become my bastard red-haired step children
> > then.
> >
> > David
> > http://www.davidhowellstudios.com
> >
> > --- In videoblogging@yahoogroups.com, "Andreas Haugstrup Pedersen"
> > solitude@ wrote:
> > >
> > > Beware though that the US court system do not agree with the dog
> > essay.
> > > Adam did not write most of those songs and thus you will also need
> to
> > > secure permission from the composer (or pay ASCAP fees or whatever
> the
> > > procedure is for the kind of work you want to make).
> > >
> > > Longer reply coming in a day or two when I've had time & energy to
> > wade
> > > through the rhetoric analogies in that essay.
> > >
> > > - Andreas
> > >
> > > Den 02.07.2007 kl. 20:49 skrev David Howell taoofdavid@:
> > >
> > > > Excellent. Much appreciated.
> > > >
> > > > I'll care for them and treat them as though they were made of the
> > > > finest crystal. Maybe, on a hot summer evening, I might just call
> one
> > > > of them Fred.
> > > >
> > > > David
> > > > http://www.davidhowellstudios.com
> > > >
> > > > --- In videoblogging@yahoogroups.com, "Adam Quirk, Wreck &
> Salvage"
> > > > <quirk@> wrote:
> > > >>
> > > >> Free as in liberty and the natural state of man, not price.  They
> > > > actually
> > > >> cost $4.30 each.
> > > >>
> > > >> Them's just jokes. Use em as you see fit. I'd be honored to hear
> > them in
> > > >> your video, and those songs aren't mine to sell.
> > > >>
> > > >> On 7/2/07, David Howell <taoofdavid@> wrote:
> > > >> >
> > > >> > When you say "free lo-fi music by me", is that free as in I can
> use
> > > >> > your music without remuneration to you?
> > > >> >
> > > >> > Not trying to sound like a prick. I like your tunes and could
> > find use
> > > >> > for them in a few videos I have planned.
> > > >> >
> > > >> > David
> > > >> > http://www.davidhowellstudios.com
> > > >> >
> > > >> > --- In videoblogging@yahoogroups.com, "Adam Quirk, Wreck &
> Salvage"
> > > >> > <quirk@> wrote:
> > > >> > >
> > > >> > > Back in town, re-reading the Podtech v. Bui thread.  I just
> > want to
> > > >> > talk a
> > > >> > > little more about copyright and the "ownership" of art, as I
> felt
> > > >> > compelled
> > > >> > > to scratch Mr. Rice's mosquito bite about being "trollish" ;)
> I
> > > >> > don't mean
> > > >> > > to start an argument here, I just need to understand how
> > people feel
> > > >> > about
> > > >> > > the things they are making, and I want you all to understand
> how
> > > > I feel.
> > > >> > >
> > > >> > > A friend of mine wrote an essay on music a couple years ago
> > > > called The
> > > >> > > History of What My Dog Can't Hear:
> > > >> > >
> > > >> > > http://www.geartekcorporation.com/texts/essay2.html
> > > >> > >
> > > >> > > The essay is about changing the way we perceive music, and
> > accepting
> > > >> > it as
> > > >> > > something that is not ownable:
> > > >> > >
> > > >> > > The ownership or authorship of anything is a deception,
> > surely. But
> > > >> > I take
> > > >> > > > no issue with the ownership of objects in the world, like a
> > broom
> > > >> > or a drum
> > > >> > > > for example. Music however, is a thing not in the world,
> > and the
> > > >> > present
> > > >> > > > deception of its ownability places limits on our
> > consciousness. My
> > > >> > > > motivation here is not to sell iPods. If this near biblical
> > > >> > manifesto-mill
> > > >> > > > can be accused of having any agenda at all, it is merely to
> > > > assist an
> > > >> > > > already rising consciousness. Neither are these paragraphs
> > > >> > commandments or a
> > > >> > > > bugle call to what we need to realize or do. We didn't need
> > to be
> > > >> > able to
> > > >> > > > hear tone in music or need to be aware of its color - it's
> just
> > > >> > the way
> > > >> > > > music is happening to us, rising on a path like the moon.
> Some
> > > >> > astronomers
> > > >> > > > can predict the path of the moon, and surely artists are
> those
> > > >> > astronomers.
> > > >> > > > I understand those who are skeptical or scoff at this as
> > > > pompous and
> > > >> > > > irrelevant. After all, when you look at the moon, the moon
> > looks
> > > >> > still.
> > > >> > >
> > > >> > >
> > > >> > > He feels the same way about music as I do about my videos,
> and at
> > > >> > the end he
> > > >> > > says, EXTRA CREDIT: Re-read this entire essay but replace the
> > word
> > > >> > "music"
> > > >> > > with the word "images."
> > > >> > >
> > > >> > > Re-reading it I realized that I unconsciously lifted metaphor
> > > >> > directly from
> > > >> > > him.  Blatant plagiarism!  I've already informed him and a
> > check is
> > > >> > in the
> > > >> > > mail.
> > > >> > >
> > > >> > > Because music is a matter of shifting consciousness and not
> > worldly
> > > >> > sound, a
> > > >> > > > person can't claim to own or control music any more than
> > they can
> > > >> > claim to
> > > >> > > > own or control a quadrant of mist over a lake.
> > > >> > >
> > > >> > >
> > > >> > > PS. Here is a free album of amazing midi-synthesizer and
> > home-made
> > > >> > > electronic instrument music by the author of that essay:
> > > >> > > http://www.geartekcorporation.com/slowdudes/slowdudes.html
> > > >> > >
> > > >> > > And some free lo-fi music by me:
> > > >> > > http://standards.bullemhead.com/
> > > >> > >
> > > >> > > --
> > > >> > > Adam Quirk
> > > >> > > Wreck & Salvage
> > > >> > > 551.208.4644
> > > >> > > Brooklyn, NY
> > > >> > > http://wreckandsalvage.com
> > > >> > >
> > > >> > >
> > > >> > > [Non-text portions of this message have been removed]
> > > >> > >
> > > >> >
> > > >> >
> > > >> >
> > > >> >
> > > >> >
> > > >> > Yahoo! Groups Links
> > > >> >
> > > >> >
> > > >> >
> > > >> >
> > > >>
> > > >>
> > > >> --
> > > >> Adam Quirk
> > > >> Wreck & Salvage
> > > >> 551.208.4644
> > > >> Brooklyn, NY
> > > >> http://wreckandsalvage.com
> > > >>
> > > >>
> > > >> [Non-text portions of this message have been removed]
> > > >>
> > > >
> > > >
> > >
> > >
> > >
> > > --
> > > Andreas Haugstrup Pedersen
> > > <URL: http://www.solitude.dk/ >
> > >
> >
> 
> 
> 
> [Non-text portions of this message have been removed]
>


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