I vote for Peter Rose's SECONDARY CURRENTS

The title credits describe the film as a "film noir" since it pushes 
structuralist boundaries as a work that is "imageless, that is to say 
on a black screen, with white subtitles translating  the fake foreign 
language gibberish of the unseen voice-over narrator.

I tend to call it a black comedy. I love this film and its emphasis 
on the sometimes exceedingly funny translations or lack thereof  in 
watching films because we often spend more time reading the subtitles 
than actually seeing what's on the screen.

I remember watching a print of a Russian film with English subtitles 
(the film's title evades me at the moment, but this was over 30 years 
ago) and the Russian characters were cursing up a storm evoking what 
could be done with one's mother etc, while the subtitle read, "You 
scoundrel". I was the only one laughing out loud during the screening.

Oksana

Oksana Dykyj
Concordia University
Montreal, Canada

At 11:43 AM 01/11/2010, you wrote:
>Hi all
>
>An ex-Berkeley faculty friend has posed a very cool reference question...I
>can use your help:
>
>I'm looking for examples of films that do interesting
>things with words, either written or spoken, or (at the other extreme) try
>to do without words. I've got lots of silent films with title cards I can
>use, but I am looking for others. Some that come to mind include The Man
>with the Movie Camera, My Dinner with Andre, and Koyaanisqatsi. Any
>further suggestions? I'm interested in credits, subtitles, words on sets,
>dialogue, voiceover, etc.
>
>
>I've come up with Bob Dylan's lyric cards for Subterranean Homesick Blues
>in "Don't Look Back"; the "meta" credits from the movie Stranger Than
>Fiction; Buster Keaton in Samuel Beckett's "Film"(1965); and--oddly
>enough--two Steve Martin Films (LA Story's sentient freeway sign and C.D.
>Bales' [i.e. Cyrano's] hilarious put-down speech: "Let's start with...
>Obvious: 'scuse me, is that your nose or did a bus park on your face? ")
>
>I think Adaptation might have some relevant stuff, but I can't quite
>remember.
>
>What do you say?
>
>Gary Handman
>Director
>Media Resources Center
>Moffitt Library
>UC Berkeley
>
>510-643-8566
>ghand...@library.berkeley.edu
>http://www.lib.berkeley.edu/MRC
>
>"I have always preferred the reflection of life to life itself."
>--Francois Truffaut
>
>
>VIDEOLIB is intended to encourage the broad and lively discussion of 
>issues relating to the selection, evaluation, 
>acquisition,bibliographic control, preservation, and use of current 
>and evolving video formats in libraries and related institutions. It 
>is hoped that the list will serve as an effective working tool for 
>video librarians, as well as a channel of communication between 
>libraries,educational institutions, and video producers and distributors.



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Reply via email to