I have been at this too long. I take PPR and Face to Face for granted since they are the clearest parts of the copyright law that in the vast majority of cases don't require much work to know if they apply. However student groups were often totally ignorant and in more than a few cases deliberately ignoring the law so I really appreciate attempts to educate the little dears.
On Wed, Feb 1, 2012 at 5:49 PM, Deg Farrelly <deg.farre...@asu.edu> wrote: > Not meant to be an exhaustive list. 16mm require PPR too. > > What's more troublesome is that Copyright office has changed their > website, so that linking directly to the Section doesn't work anymore. > > Grrrrr. > > THAT URL needs to be updated. > > -deg > > (With apologies to all for my forwarding the entire digest in my earlier > post.... Something I personally despise!) > -- > deg farrelly > Arizona State University > P.O. Box 871006 > Tempe, AZ 85287 > Phone: 480.965.1403 > Email: deg.farre...@asu.edu > > > > On 2/1/12 2:24 PM, "videolib-requ...@lists.berkeley.edu" > <videolib-requ...@lists.berkeley.edu> wrote: > > >Um that list of distributors might be a wee out of date. Does Modern Sound > >even do PPR shows, their web site only mentions 16mm bless em. I would > >think Janus, New Yorker, Sony Classics and others can be added. > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
