Happy Friday,

Hate to be a Debbie Downer here, but it's important to remember that there are 
virtually no public domain sound recordings created in the United States— nope, 
not even those old wax cylinders :(. The Library of Congress Jukebox project is 
possible because Sony gave them permission:

From: http://www.loc.gov/jukebox/about
"Recordings in the Jukebox were issued on record labels now owned by Sony Music 
Entertainment, which has granted the Library of Congress a gratis license to 
stream acoustical recordings."

For more information on why there are no public domain sound recordings in the 
United States, here are some links (warning, one shameless plug here):

http://libguides.lib.umt.edu/content.php?pid=119432&sid=1042184 (My guide on 
public domain and Creative Commons resources)

http://www.recordingcopyright.org/ (Historical Recording Coalition for Access 
and Preservation)-- a little out of date, but gives a good overview of the 
issue.

http://www.copyright.gov/docs/sound/ (A Study on the Desirability of and Means 
for Bringing Sound Recordings Fixed Before February 15, 1972, Under Federal 
Jurisdiction)

The links posted in this thread are still really helpful though; the sound 
files to which they provide access to are usually issued under Creative Commons 
licenses or CC0 licenses (released into the public domain by the creator).

No, I'm not a lawyer and this isn't legal advice.

Have a good weekend.

Best,

--
Tammy Ravas
Associate Professor
Visual and Performing Arts Librarian and Media Coordinator
Mansfield Library
University of Montana
Ph: 406-243-4402
E-mail: tammy.ra...@umontana.edu<mailto:tammy.ra...@umontana.edu>


From: <Hooper>, Lisa K <lhoop...@tulane.edu<mailto:lhoop...@tulane.edu>>
Reply-To: "videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>" 
<videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>>
Date: Thursday, September 6, 2012 11:33 AM
To: "videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>" 
<videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>>
Subject: Re: [Videolib] Public domain music and film databases

For music, the LOC National Jukebox is indeed fantastic. For music and sound 
clips, also check out:

MuseOpen<http://www.musopen.org/>
Gutenberg Project<http://www.gutenberg.org/>
PD Sounds<http://www.pdsounds.org/>
soundBible.com<http://soundbible.com/>
U.S. Fish and Wildlife Services<http://www.fws.gov/video/sound.htm>

Hope that helps a little.
Best,
-lisa H.

Music & Media Librarian
Howard-Tilton Memorial Library
Tulane University
504.314.7822



From: 
videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> 
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner
Sent: Thursday, September 06, 2012 12:25 PM
To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>
Subject: Re: [Videolib] Public domain music and film databases

I think the best source is archive.org<http://archive.org> In general they try 
to keep it to legit PD films but there are a few that slip by. I would be 
careful on non American feature films but for the most part it is PD stuff from 
educational to feature.

On Thu, Sep 6, 2012 at 12:43 PM, Moshiri, Farhad 
<mosh...@uiwtx.edu<mailto:mosh...@uiwtx.edu>> wrote:
Dear all,

Do you know of any online collections of free (public domain) music and films? 
I know about the Library of Congress National Jukebox. But I was wondering if 
there are any other collections. Thanks.

Farhad Moshiri
Audiovisual Librarian
University of the Incarnate Word
San Antonio, TX

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VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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