I've always assumed these were just light strums across two adjacent strings; 
simplty an extension of just strumming on three (eg the 630 on the first beat 
of the fourth full bar of this line).
   
  As, I think, you imply, one needs to be a bit careful not to strum any other 
surrounding strings but with just the index (I presume) this isn't too tricky.
   
  regards,
   
  Martyn
   
  

Monica Hall <[EMAIL PROTECTED]> wrote:
  Following on from the discussion about Foscarini's notation before Christmas 
I wonder what other people on this list would make of a passage in one of 
Bartolooti's passacaglias - the one on p.17 of his Libro Primo.

On the bottom stave of the first page (17) there is a passage in thirds all 
marked as if they were to be strummed - including the single note in the second 
bar.

It is possible to play them with a single finger up and down or possibly even 
thumb down and finger up but I don't think this would be the method of choice. 
Including any open courses doesn't seem to be an option.

Bartolotti has gone to quite a lot of trouble to include a lot of detailed 
information about right-hand fingering although he is a bit inconsistent.

So is he just being inconsistent here - or does he really want some kind of 
special effect?

I'll take this opportunity to wish everyone a Happy New Year!

Monica

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