Dear flat-back lutenists, is there any repertoire/composer of baroque guitar that/who without any modern disagreement definitely used the "double re-entrant" tuning - the 5th and 4th having only in the upper octaves? De Visee perhaps?
To a theorbist with two top strings lowered an octave that setting sounds really interesting - the opposite way of putting the fingerboard strings sound a lot in the same octave! In a therbo in a from A to b, in b-guitar in e from g to e'. In this interesting light just considering of getting a b-guitar... :) Arto To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
