Many thanks.
   This is the old 'Italian' tuning of the Renaissance cittern. So maybe
   this cittern tab is a lot older than Santiago's (as you suggest). This
   cittern version of the tune seems much more primitive. And Santiago's B
   section is 16 bars.
   Re-entrant tuning on plectrum citterns always strike me as odd - though
   there's no doubt about it. Why would you want to set a melody line
   which jumps between first and fourth courses? It's not campanella, and
   it's just plain awkward with a plectrum.
   Thanks again
   Stuart

   On 25 June 2012 20:40, Monica Hall <[1]mjlh...@tiscali.co.uk> wrote:

     Monica
     What is this cittern music? So it's Spansih cittern music from the
     early 18th century?
     Yes - or possibly early 17th century.  It is not dated.
     Do you know anything about the kind of cttern intended by the music?
     It has four courses and is triple stung throughout =.
     Bordones[3],
     Requintas [3 with single Bordon in middle],
     Segundas[3],
     Primas[3]
     It has a re-entrant tuning (Yipee!) - the 3rd course has a low octave
     string in between the two treble ones. The other courses are in
     unison.  It is tuned   bbb  gGg   dd   ee and is diatonically fretted
     and also has partial frets at the top of the finger board.
     The bourdon on the 3rd course is of twisted brass.
     It is played with a plectrum and the music is in Italian tablature.
     For good measure I will send you Azucena off the list.
     Monica

     On 25 June 2012 14:38, Monica Hall <[1][2]mjlh...@tiscali.co.uk>
   wrote:
        La Azuzena = kind of flower? I can't figure out the repeats. It's
       A+B 3
      times (A is 8 bars and B 16 bars) I played it AAB A'A'B' A''B'', for
      some reason or other.
       I just looked at the cittern version (should have done that first!)
       - and what I said is incorrect!!! Sorry about that.   Alejandro
   Vera
       hadn't seen the cittern version.
       I think it is a villancico.   The Copla is in two sections and each
       is repeated.   But the last bit is the Estribillo or refrain.  The
       estribillo is really supposed to alternate with the copla.  But if
       that is how Murcia intended to be performed - he hasn't made it
   very
       clear.
       So what you are doing seems to be right.
       As ever in too much of a hurry
       Monica
        Stuart
        --
     References

        1. [2][3]http://www.youtube.com/watch?v=Fn0dKVUa2FY

     To get on or off this list see list information at

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   References
     1. mailto:[5]mjlh...@tiscali.co.uk
     2. [6]http://www.youtube.com/watch?v=Fn0dKVUa2FY
     3. [7]http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html

   --

References

   1. mailto:mjlh...@tiscali.co.uk
   2. mailto:mjlh...@tiscali.co.uk
   3. http://www.youtube.com/watch?v=Fn0dKVUa2FY
   4. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
   5. mailto:mjlh...@tiscali.co.uk
   6. http://www.youtube.com/watch?v=Fn0dKVUa2FY
   7. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html

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