Some light entertainment for Sunday afternoon. I am just looking at Marini's table of 4-3 suspensions in his A I Lettori in Scherzi e canzonette (1622). In three of the examples he has included the dominant 7^th - i.e. in Chord A in the first example in C major, in Chord F in the fourth example in A major and in Chord G in the fifth example in B flat. I have always assumed that these were misprints but I see that Alex Dean thinks that A and F are intentional. He hasn't mentioned G. I wondered what the consensus of opinion was on this.
Seasonal greeting to you. Monica -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
