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Siegel believed publishers kept rejecting them because he and Shuster were 
young and unknown, so he looked for an established artist to replace Shuster. 
When Siegel told Shuster what he was doing, Shuster reacted by burning their 
rejected Superman comic, sparing only the cover. They continued collaborating 
on other projects, but for the time being Shuster was through with Superman. 
Siegel wrote to numerous artists. The first response came in July 1933 from Leo 
O'Mealia, who drew the Fu Manchu strip for the Bell Syndicate. In the script 
that Siegel sent O&#39;Mealia, Superman&#39;s origin story changes: He is a 
&quot;scientist-adventurer&quot; from the far future, when humanity has 
naturally evolved &quot;super powers&quot;. Just before the Earth explodes, he 
escapes in a time-machine to the modern era, whereupon he immediately begins 
using his super powers to fight crime. O&#39;Mealia produced a few strips and 
showed them to his newspaper syndicate, but they were rejected. Nothing of
  Siegel and O&#39;Mealia&#39;s collaboration survives, except in Siegel&#39;s 
memoir. In June 1934, Siegel found another partner: an artist in Chicago named 
Russell Keaton. Keaton drew the Buck Rogers and Skyroads comic strips. In the 
script that Siegel sent Keaton in June, Superman&#39;s origin story further 
evolved: In the distant future, when Earth is on the verge of exploding due to 
&quot;giant cataclysms&quot;, the last surviving man sends his three-year-old 
son back in time to the year 1935. The time-machine appears on a road where it 
is discovered by motorists Sam and Molly Kent. They leave the boy in an 
orphanage, but the staff struggle to control him because he has superhuman 
strength and impenetrable skin. The Kents adopt the boy and name him Clark, and 
teach him that he must use his fantastic natural gifts for the benefit of 
humanity. In November, Siegel sent Keaton an extension of his script: an 
adventure where Superman foils a conspiracy to kidnap a star football player
 . The extended script mentions that Clark wears a special &quot;uniform&quot; 
when assuming the identity of Superman, but it is not described. Keaton 
produced two weeks&#39; worth of strips based on Siegel&#39;s script. In 
November, Keaton showed his strips to a newspaper syndicate, but they were 
rejected, and he abandoned the project. Siegel and Shuster reconciled and 
resumed developing Superman together. The character became an alien from the 
planet Krypton. Shuster designed the now-familiar costume: tights 
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