EVOs, HUTCHISON, AND ANCIENT MEGALITHIC TECH
Hi all, long time. Sorry about the length of this, hope some of you will take a moment to look through it. Warning: contains significant speculation and some video links, (no affiliation to links). For some time I've been fascinated by anomalous ancient stone working techniques. The spread of information on the subject over the last couple of decades due to the internet and video, TV like Ancient Mysteries, Graham Hancock etc., has exposed the public to the fact and depth of these mysteries despite the ever-present overburden of academic resistance, grift, and woo. There's been lots of theories over the years of sound, geopolymers, aliens, etc., and more lately, some sort of electromagnetic effect. Conditions in and around rock crystals are often affected by both EM and sound, perhaps not always through just piezoelectricity. Browns gas has also been proposed as a cutting technique since the melted surface containing transmutations has been found in some samples of the vitrified cut surfaces from various ruins which are similar to BG-burned samples of the same material. Although these proposed theories do lean towards explanations for cut and finish, the big elephant in the room is still on the loose: how did they *raise* and *transport* these damn things? Another slightly smaller elephant is the almost capricious manner with which numerous large and repeated cuts were made both at quarries and in removed material - it was easy for them. That last one often doesn't become so apparent until you've been looking at this for a while and can see the larger context of the total extent and volume of this work globally, as well as within individual sites. I've had some ideas about this, and in the last few years I've actually "cut metal" and casually tried something. I got weak but interesting results, and I'd like to refine the experiment and keep careful records before discussing particulars publicly, but to the point of this post: There's a video out on YouTube now under the "Versadoco" account: https://youtu.be/884rjnOSnbI Some ideas that I think are new to the megalith mysteries are presented there which might seem familiar to Vortexians - Ken Shoulders' EVOs, and the softening, melting, and occasionally levitation effects described by John Hutchison. The best explanation is the one that addresses the unknown causes for *all* the features of a phenomenon, and for the moment, this one looks pretty interesting to me. I noticed long ago how dried pottery clay in rehydration will mimic features of some Hutchison effect samples where they soften, split and crumble distinctively before melting. In clay it's water molecules soaking in between the grains and ionically defeating the small bonds between them. In Hutchison's materials, is it EVOs or excess free charge content accumulated around the grains? In the stone artifacts, that could explain effects attributed by some to Brown gas since accumulated charge or EVOs are also present. Still missing is the practical method for EVO/charge generation the mysterious masons actually used, which if known, should be easily duplicable since there is an implied low-tech nature to this. The video fumbles and punts on that crucial topic, IMO. But at least there's no need for aliens or complex high tech. I speculate that powerful (i.e. LOUD and long duration) acoustics were used for charge generation (or more likely acquisition from the environment), and manipulation and concentration through cymatics, hopefully without JH's personal presence required as some have suggested. With large stones containing a gigantic internal space charge you might be able to cut and shape them with copper tools using Electrical Discharge Machining (EDM)*, then raise and transport and them using the enormous electric fields from all that trapped charge coupling (against) the ground plane. Resonate, chop, float, stack, discharge. If true, big implications for various modern industries, obviously. *Here's a link to a practical modern example of using EDM on a pre-charged dielectric instead of the usual current-connected metal target material. Internal charging is via linear accelerator (kinetic not acoustic), but a simple manual bulk EDM-style technique is shown. Scroll down to the video: https://www.etsy.com/shop/Criticalelectron?ref=mini_mfts_name <https://www.etsy.com/shop/Criticalelectron?ref=mini_mfts_name&listing_id=14 64572835> &listing_id=1464572835 Thoughts? - Rick
