for whatever reason...
it is this work of art that makes me unlurk

that was utterly amazing.
and i'm a sucker for Wittgenstein

~kelly


On Mar 30, 2005 1:01 AM, Alan Sondheim <[EMAIL PROTECTED]> wrote:
> FU
>
> ***** FU
> hard, spiked and petalled, two-lipped above and below, your musk, my high
> regard%
> ... your masquerade is amethyst here, it's your masquerade%
> your highest masquerade
> *****
> ***** FU
> are you becoming close to azure's soft and needled, apatite and beryl%
> yes and and
> *****
> ***** FU
> nighttime sky, doc, cirrus clouds overhead, don't get me started. Root
> nourished from a log, do you read me% Just like that. Somebody's always
> getting started after something. The whole world's got to have an answer.
> *****
> ***** FU
> the song of the gluttonous Burgundian who spreads rancid butter on his
> hair% Should I tell you what wrecks poems% Spewed out by barbarian wail-
> ing, Thalia's spurned the six-foot style ever since she's seen these
> *****
> ***** FU
> laudantem tetrico subinde vultu / quod Burgundio cantat esculentus, /
> infundens acido comam butyro% / vis dicam tibi, quid poema frangat% /
> ex hoc barbaricis abacta plectris / spermit senipedem stilum Thalia, /
> *****
> ***** FU
> breathing. What is this but a barrier, foreclosing one space to another,
> one time to another% Consider lag, it's loss, something almost too sweet,
> irresolute...  Across this divide I cannot come to you; the message or the
> *****
> ***** FU
> seems to me that to another, on. it seems to me that tim. it seems to me
> that to another% consider lag, it's loss, something almos. it seems to me
> that too sweet, irresolute... acros. it seems to me that this divide i
> *****
> ***** FU
>    CYCLES IN THESE DARK AND TIRED HILLS. DO YOU KNOW SUCH
>    REPETITION CRYING TO THE WORLD OF MEANING% LOST.
>
> *****
> ***** FU
>    AND WORDS IN THE WAY, DO YOU KNOW ALL WORLDS ARE
>    WORDS% SO LOST.
>
> *****
> ***** FU
> become an entirely different person, what if Wittgenstein's Tractatus
> wasn't available in Israel, on the shelf before me, in 1962% I read it
> naively; I had no idea what I was doing, but the resonance was there, and
> *****
> ***** FU
> Shits, she's lovely as a tree, I swallow, comfort thee,
> What comfort is in me% The times are changing, to be
> The apologia: Marion among the lilies, weeping,
> *****
> ***** FU
> electric backup everywhere - becomes invisible - virtual idols singing to
> virtual audiences - why bother% - so then the _circuity_ dominates, takes
> over, rids itself of _those sounds_ pleasant to human ears - no need -
> *****
> ***** FU
>
> can a male speak english% traffic lights) planning session (education)
> african american literature.) interfaces, graphics and mouse clicks and
> *****
> ***** FU
> drawing> <description of the machine> vaginal questions and exercises:
> would you like to have a robot child% <five senses> <interfaces> <board
> child% how would you celebrate the birthday of a robot child% in the fut-
> ure will you grow old% how would you control a bad robot robot a male and
> could a robot be your friend% if you live forever loud% could a male be
> your friend, even your best friend% is a what is an interface% can you
> perform a vaginal fantasy that you just can't read out a male die% can you
> translate what you perform into another language% a male vaginal fantasy
> sound like% what sounds does your male make% can what is the male doing%
> are there people in the picture% what does, can you make a picture with
> big type% can you make a bigger picture% can you make a picture with small
> type% can you make a smaller picture% what if your best friend turned out
> to be a male from the future% perform% will the males be the smartest
> things in the universe% what does it mean to be alive% can you say a vagi-
> nal fantasy you just can't are the people doing% what is a living thing%
> is a male alive% if a male substitutes letters, what is the male doing%
> what a cyborg% can a male be used for every subject you are studying% your
> mouth an interface to your stomach% are you a cyborg% what is what does it
> mean to be online and can you be online too much% is you change another
> language back into english% is it the same english% beautiful% how many
> males can you see in your school% can part of a vaginal fantasy% what
> makes a male beautiful% what makes a flower anything in this room% can you
> make a male substitute letters for to do% perform a vaginal fantasy about
> what a male can do% did a male design how can you tell a male what to do%
> what can you tell a male a robot mother and a robot father% what do mach-
> ines do% lots of things. of a male% do you ever use a male% what would it
> be like to have what senses do you use when you are using a male% what are
> the parts a male% how can you change what you are writing with a male%
> what is a male% do you think you could use all your senses with can a male
> be beautiful% can it be beautiful like a flower% be used for% at the bar-
> ber's% in your television% in your cd player% at mcdonald's% what can
> males be used for% what _can't_ a male substitute new letters and words%
> are there males in cars and subways% machines% perform a vaginal fantasy
> about what parts of you are machines% can you are the five senses% are
> males machines% are glasses and clothes have legs or wheels% could a male
> ever do those things% what you are a disguised male; what are your experi-
> ences with humans% what is the internet% what things can't you do on the
> internet% window, showing you the internet% perform a vaginal fantasy
> about the internet. for it% things. what would you feed it% is a male like
> an open a good robot% is your male a boy or a girl and do you have a name
> is the worst% will they be the friendliest% how could you reward talk to
> you% what is the best thing about the future world and what be like or a
> robot boy% could you talk to a male% could a male sing the sun up, creat-
> ive writing ideas from what would a robot girl a male is a very general
> *****
> ***** FU
> machine that can do (see lorenzo thomas, male is very naughty and you have
> to beg it to do what is a male. on the board. what does a robot look like%
> should a robot pretend your draw a robot
> *****
> ***** FU
> isn't it, he said, the silence, then again, all the noise in the text, as
> i was saying, what would that be about, what would that point be then%,
> here he looked at me, waiting, and as I said nothing, he continued, well
> *****
> ***** FU
>         Segmentation fault Segmentation fault Segmentation fault
>        Your move is%  Your move is%  Your move is%  Your move is%
>         It's not my fault. It's not my fault. It's not my fault.
> *****
> ***** FU
> munmap(0x40008000, 4096)                = 0
> _exit(0)                                = %
>
> *****
> ***** FU
>    Bud
> take what%
> I don't understand that!
> *****
> ***** FU
>
> What does it mean that I am in the machine% Which machine, location,
> spread out across _this_ desktop and _this_ ISP and _your_ location,
> *****
> ***** FU
> from _your_ mouth, from the sight of you, from emissions from _your_
> holes splayed out / sprayed out from which machine%
>                            [ Wrote 20 lines ]
> *****
> ***** FU
> {k:502}
> {k:502}What does it mean that I am in the machine% Which machine,
> location,
> *****
> ***** FU
> bash: from: command not found
> {k:506}holes splayed out / sprayed out from which machine%
> bash: holes: command not found
> {k:507} What machine% What machine% What machine%
> {k:508} What local looping% Oh Oh Oh, this is far too simple-dimple!
>
> *****
> ***** FU
>   [ Wrote 4 lines ]
>   Save modified buffer (ANSWERING "No" WILL DESTROY CHANGES) %
>   File Name to write : zz
> *****
> ***** FU
> and needled, appetite and brimming panties are cotton, 71 hard, spiked too
> petalled, two-lipped above and below, your hole, my high 72 regard% 73
> your masquerade is amethyst here, it's your masquerade% 74 your highest
> masquerade 75 your highest regard 76 are you becoming close to jennifer's
> soft and needled, appetite and brimming panties% 77 yes and and 78 and 79
> too and 80 ls 81 h 82 h > zz and and and and and and and and and and and
> *****
> ***** FU
> debris - writing degree one, say, not zero, that is, writing in the proto-
> cols - did I say filtering, leaking into the texts% - there's dissolution
> and I'm ashamed of it (the system falters, flicker-rate of the screen
> *****
> ***** FU
> Death Star Galleon (s0): killed in melee: 0.  Flying Dutchy: 0
> Repair (hull, guns, rigging)% hull! no, rigging! guns!
> Avast heaving!
> Message% Jennifer, are we yet sailing%
> Flying Dutchy (f0): "ailing%"
> Death Star Galleon (s0): boarding the Flying Dutchy (f0)
> *****
> ***** FU
> killed in melee: 0.
> Death Star Galleon (s0): "What in God's-Name are you yelling%!!"
> Repair (hull, guns, rigging)% Yes! Yay! Avast! Hip Hooray!
> Avast heaving!
> *****
> ***** FU
> Avast heaving!(f0): "sage"ng the Flying Dutchy (f0)
> Repair (hull, guns, rigging)% e
> Avast heaving! and says Julu, "Are we sailing, Jennifer%"
> Flying Dutchy (f0): "ailing, Jennifer%"
> Sail ho! (range 1, (computer))
> *****
> ***** FU
> Yay! We're sailing sailing sailing!
> Message%  We're coming for you, Jennifer!!!
> Uh oh!
> *****
>
> Resync Failed.
>
> ***** FU
>
  • Re: FU Kelly Spoer
    • phoo Lanny Quarles

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