L
aParadede
C irque
T heT
r omboneP lay
er,asCont rappos
t o,ass
urfac
eeffect ,a
s anornamen tal
proxyo fthe pr
ot ocol ofade -id
eal ization,aroutin iz
ation,orincidentalizationofRen
aissanceopposition,whichbothd ec o
rativeandstructuralis,inany cas e, m
eanttob eviv id. AP r
a xitile a n f
igu r en o wa tso m
egr eatdis t ance w
h er e" now " (188 8
? ),a ne mpt ysync hres i s
fi llsinwit ha sides how ,with Il l
u min ationso fD isen chantmentt h e
s epa inter- arch aeolog is ts,p o e
t-p sycholog i sts,theatr ic al p r
od uce rs o f t hi s o
rth at th eo ry ofthed u r a
t io nal pl ac eofthef antasticas a det e r
m in at e&marked absen c eatthe he a r t
of th esecularworld, a nobje ct w o
rl d foreversuspendedo n t hebrinkofm e a n
in g, foreverdisposed to receive the re ve
la tiono fevilorg ra cethatn e ver co m es
th rou ghtherelent lessunmask ingof c h r
oma ticimmediac y,t h roughtheuns t a bl e
phy siologicalc ond itionsofhumanvis io n
,unl ikean18th cen tu rydiagr amoft heey e i
nwh ichlightra ysenteras i fthr ough a tr a ns
par entlenstot ransmi t an image whi chwe
may nowdenyasa kind o fs ynthes isandnot"
simp ly"achromoc hr on om etrics y
nth esis,butone whichpo sitsaviv i
dCon tr appostos , APraxitil eanfigur
eof polysynthes is, anemb edded sym
bol ism,anembo li smofv ision'su
nity withsynthe tic ,syn c hret
icun derstandin g,a nag gr ega t
eofp urposeand dis play whi ch
comb inesbothrati on-a liz at
ion sofaest he ticrespons ea
nds ynthese sth atarethefrees
ubj ectiveinve ntionofa nac
ti veautonomo ussub jec t
,a ndthe"objec t"the n, wo
uldbethemak ingofperc ep
tion,l oca t ionofmy kn o
wthemea ni n gofthe n e
w,forev en w ith1)d iv i
dedtoit s o riginan d
awe caneas i lyfind a
nthestone1. 61803 4o
rsomeothe rnatural
/unnatura lalinedr
awnthrou ghby2=hie
rogyphso fEgyptthes
un.seem inf ini te
lyold, infi n it
elyn a velw it
hrefer en cei
ntima t iono
fparen thet
icalsquar eof 5+
Phidianmirac le.Howc
anyousometh ingwh
ichm
us
