Wow Sheila,
1. I am your adjoining consecration
2. the impropriety of heaped affection
3. let's schedule a friendship
and now "kissing your poem"
What exquisite abundance!
"but you know, it
only multiplies.
that's why I enrolled
in math one oh four hundred two.
I thought that I
could minimize intensity within,
despite the false
food of neglect."
-
From "the impropriety of heaped
affection"
Love them all!
-Peter Ciccariello
On 9/21/06, Sheila Murphy <[EMAIL PROTECTED]
> wrote:
George, your response is glorious to the nth power power power. Thank you, Sheila E
george spencer <[EMAIL PROTECTED]> wrote:this is wonderfull; i love benadette mayer and now you
too
and don't know where to start crying & kissing your
poem.
and allan's question:
what is it that they carry, that speaks
be nice to know the answer, or at least where to look.
george spencer
--- Sheila Murphy wrote:
> If you could know how welcome your feedback is, Alan
> . . . well, I guess you do! Thank you very much.
> Bless you, Sheila
>
> Alan Sondheim wrote: This is
> absolutely brilliant; I have no idea of the
> circumstances it was
> written within/under, but pain often brings the
> strongest work (I've felt
> that for example re: Bernadette Mayer and for that
> matter Paul Chamberland
> - if you remember him at all - for a long time).
> Anti-colonialist, anti-
> war writings, writings of the oppressed - what is it
> that they carry, that
> speaks - not only in terms of psychology and
> empathy, but also the
> language itself, urgency?
>
> - Alan, musing
>
>
> On Thu, 21 Sep 2006, Sheila Murphy wrote:
>
> > Big full-of-the-love heart b(ull)rushes up against
> the bully heart and then what?
> > Coaches on the side past, present and to come
> exclaim beatitudes on steroids, trying to get a
> rise, it's called, out of the hurt heart.
> > "Tell her to _____ (let's call it "collapse")
> herself."
> > "Tell her to off herself."
> > "Tell her she couldn't become interesting if she
> had every morself of her routine body replaced."
> > "Tell her she will always be a drudge machine
> nobody loves."
> >
> > Big full-of-the-hurt heart disappoints the coaches
> > and drowns pills for years instead.
> > Big full-of-fatigue heart turns drip-dry with
> sadness in the sun.
> > Big full-of-admiration heart seeks to age kindly
> without kiss thirst,
> > while out on the the surrounding lawn it always
> rains sans prompt,
> > and roller-coaster thought continues making marks
> on the experiential sky.
> > Big full-of-self-infliced-hurt heart fevers into
> sleep.
> >
> > Big full-of-the-insanity-clause heart decides it's
> never easy not to die,
> > Having once died, and come back as a saint.
> > Big full-of-the-acclaimed heart offers crisis as
> proof of breath.
> > Big full heart finds a light to watch and watches.
> > Big heart tries to self sustain where there are
> other hearts.
> > Big heart pieces together versions of the recent
> history as if to make it early.
> > Big heart ceases to be large enough, as as to
> wedge into the tiny size allowed by its untenable
> surroundings.
> >
> >
> > sheila e. murphy
> >
>
> blog at http://nikuko.blogspot.com - for URLs, DVDs,
> CDs, books/etc. see
> http://www.asondheim.org/advert.txt - contact
> [EMAIL PROTECTED], -
> general directory of work: http://www.asondheim.org
> Trace at: http://tracearchive.ntu.ac.uk - search
> "Alan Sondheim"
> http://clc.as.wvu.edu:8080/clc/Members/sondheim
>
>
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