Serbs rally to 'turbo-folk' music

  By Matt Prodger
  BBC News, Belgrade | January 11, 2005
  http://news.bbc.co.uk/2/hi/europe/4165831.stm

The Serbian phenomenon of "turbo-folk" - a controversial form of music
identified with the Milosevic era - still manages to enchant and
disgust people in equal measure in Belgrade.


Serbia during the 1990s was a country famously defined by bellicose
nationalism, Slobodan Milosevic and a powerful mafia culture.

Today Milosevic is gone, the war is over, but turbo-folk is more
popular than ever.

In 1990s Serbia, there were two things on the radio: one of them was
war and the other was turbo-folk.

The term stood for a high-energy mix of Serbian traditional music,
electronic pop and scantily-clad women.

Ardent fans

Today, turbo-folk is huge. Its concerts fill football stadiums; the
CDs and videos outsell any other.

And yet other people here hate it with a passion, because of the role
it played in the Serbia of former Yugoslav President Slobodan Milosevic.

"Turbo-folk is one of the most interesting cultural phenomena that
ever happened in Serbia. And this is why people basically have this
problem with it," says cultural analyst Branislav Dmitrijevic at
Belgrade's Museum of Contemporary Art.


"Turbo-folk has been usually associated with Serbian nationalism - and
not even nationalism, but war-mongering ideology. You have war in
Bosnia, you have economic sanctions, and then you have turbo-folk,
with these nice girls, with these big cars and with this kind of
glamorisation of reality that never existed, in a sense.

"But the thing is that this iconography, in a very vulnerable society,
really is very dangerous for this society."

The undisputed queen of turbo-folk is Ceca, a woman synonymous with
diamonds, fur and guns.

On the streets of Belgrade, they are still selling videos of her 1995
wedding to Arkan, Serbia's most notorious paramilitary.

He was wanted for war crimes when he was shot dead in a gangland
killing four years ago.

Love songs

Ceca herself was arrested by police during a clampdown on organised
crime following the assassination of Serbia's Prime Minister, Zoran
Djindjic, in 2003. But she told me that now she is selling more
records than ever before.

"Greeks listen to Greek music. Italians listen to Italian music. And
Serbs listen to me. It's to do with national identity. Britney Spears
and Madonna could never be a success here like I am."

She dismisses critics who say turbo-folk was the sound of the
Milosevic era, the sound of nationalism.

"I don't know what they're talking about. I don't sing songs about
nationalism. I only sing about love. And besides, Milosevic has been
gone for four years, and I'm still here."

In 2005, Ceca is planning a tour of Europe. So Serbia's much-maligned
turbo-folk may be about to wow a new audience. 








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