Death Of The Destination

  By NARAYANI GANESH
  The Times of India | September 4, 2005
  http://timesofindia.indiatimes.com/articleshow/1219770.cms

Destination tourism is a crashing bore. To the globetrotter, Paris,
New York, Dubai, Singapore, even the Alps, are ho-hum, so 'common'.

For the domestic tourist, travel hotspots are where you bump into the
very people you are taking a break from: Pesky colleagues and neighbours.

Worse, 'quiet' destinations are invaded by cacophonous holidaymakers
who explode the silence of valleys and mountains with their
bone-rattling music and incessant chatter.

Trekking, snorkelling, even bird watching are victims of mass tourism
and brochure promotions. For the bored vacationer, the Lonely Planet
Guide to Experimental Travel offers refreshing departures.

"Forget package holidays and classic routes", it says. Rewrite travel
rules. Experience. Relate. Look at travel through a lateral filter.

There are alternative ways to be a tourist. Visit the world in
creative, exciting and unusual ways. The trick is to"discover places
that have no reason to exist".

Earlier, holiday-travel was for pleasure. It was escape from reality.
Today, it is escape from comfort-induced boredom. Cable-car tourists
who peered down deep valleys as they slid comfortably across
treacherous mountains are passe.

The buzz is hardship tourism — the harsher the experience, the more
esoteric the journey, the better. When the hippie culture galmourised
'drifting', travel became an alternative lifestyle choice to
'discover' oneself.

Today's psycho-geographers seek to"record, celebrate and reclaim the
forgotten, neglected and overlooked environments of a place".

Disaster tourism or travelling to a scene of disaster — to
tsunami-ravaged beach destinations like Phuket and the Andaman
Islands; terrorist-targets like Egypt's Luxor and Sheik-al-Sharif, New
York's Ground Zero and the Bali Islands and visits to battle-sites
like Kargil — are being described more as voyeur's choice, a hindrance
to relief and rehabilitation work.

Promoters say it sensitises people to the plight of the affected and
helps kick-start the local economy. A California-based tour operator
offers reality tours designed to raise consciousness of actual
conditions prevailing within the US.

Participants experience first-hand how prisons and sweatshops are run,
how toxic wastes are disposed of and the overuse of pesticides in fields.

They talk to teens serving murder sentences and garment workers sewing
round-the-clock. Outside the US, these trips have taken people to
countries like Israel, Iran, Vietnam, Cuba and even India.

Disaster tourism might sound politically incorrect — even Lucresian —
but with special interest groups that include journalists and experts,
it can help create public awareness, generating viable solutions.

This newspaper recently reported the makeover of a crematorium in
eastern UP from an unsightly, depressing burning ghat to a place of
recreation.

A project initiated and sustained by locals has transformed the place
into a beautiful garden. More poignant and less hard than a
pilgrimage, the yatra encourages reflection and retrospection.

Surrealists and psycho-geographers, modern alternative thinkers,
espouse a philosophy that seems to say: Let chance be your guide.

A parallel is drawn between experimental travel and surrealist
philosophy:"...it thrives on the tension between pre-meditation and
spontaneity... The realisation that reason and anti-reason, sense and
nonsense, design and chance, consciousness and unconsciousness, belong
to each other as necessary parts of the whole".

Experimental travel involves constant reinvention and creativity.
Experiments include Blind Man's Buff, Slow-return and Ero-tourism.

Ero-tourism is an experiment for couples, to arrive separately in an
unknown foreign city and then find one another without having recourse
to any means of communication, and without having decided on a meeting
place.

Blind Man's Buff, as the name suggests, is one partner blindfolding
himself and 'seeing' and experiencing the journey and destination
through the eyes of his companion.

Slow-return travel means just that: Get to a destination via the
fastest mode of travel and then chalk out your return through the
slowest possible way. Steven Spielberg's film Terminal essayed the
true-life story of a man in transit rendered stateless when his
country ceases to exist following a takeover.

The airport becomes his destination and temporary home, offering
unusual experiences and insights. With state-of-the-art international
airports like the ones at Singapore and Changi, the adventurous
traveller needs look no further for that unique travel experience.

Anachronistic adventure entails travelling back in time by using, for
instance, a Penny Farthing or hot-air balloon, navigating a town or
village in period costume, to experience the pace and style of travel
of a bygone age with greater authenticity.

Past-travel would include using an out-of-date guidebook to explore a
city, while noting the changes that have occurred over time.

The Lonely Planet calls this comparative anachronistic tourism.
Counter-tourism — a critique of classical tourism — is doing the
opposite of what you think a traveller should do, like taking pictures
with your back to key tourist sites.

The results could be exciting and revelatory. Experimental travel is a
playful way of travelling, where the journey's methodology is clear
but the destination is unknown.

Get adventurous. Hasn't it been said that it is the journey, not the
destination, that matters?









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