Lost In Translation

  By Manoj Nair
  The Times of India | November 19, 2005
  http://timesofindia.indiatimes.com/articleshow/1300572.cms

La Haine (Hate), a film by Mathieu Kassovitz about the lives of three
young men from a Parisian suburb, begins with an old joke about a guy
who, falling from a skyscraper, repeats to himself: "So far so good...
so far so good".

At the end of the movie, which for most of the time moves forward with
a rioting immigrant population as its backdrop, the joke is said
again: "It's about a society falling... so far so good... so far so
good... so far so good". The narration goes on: "It's not about how
you fall. It's about how you land".

The joke and, in fact, the entire premise of the film is an apt
allegory for France's failure to assimilate its so-called visible
minorities (second and third gene-ration immigrants from north and
sub-Saharan Africa), inhabi-ting its suburban ghettos into its culture
and politics.

Popular figures from these communities are either footballers (it
began with Les Bleus winning the World Cup in 1998) or musicians. And
even in the case of the latter, stars like M C Solaar, Salif Keita,
Rachid Taha, Angelique Kidjo or even Yousou N'Dour are not mainstream.

They are more popular outside France. Within, their listenership is
restricted to ethnic groups. Recently, a British musician now settled
and working in France told this writer there is a perceptible racial
division between the popular music genres in France.


The film La Haine was made in 1995, the year Jacques Chirac came to
power. And about 10 years later France is once again hit by riots that
have their origins in the country's banlieues.

The world at large is trying to trace the roots of this unrest to
Islam. France has the largest Muslim population in Europe. Apart from
unemployment, France's current problem lies to a large extent in
semantics. Take the word banlieues for instance.

The English equivalent for it is suburb. A suburb is a residential
area outside the city. Anywhere in Britain or North America it is a
generous expanse of habitat with lush lawns and modern facilities.

Why, even in India, suburbs evoke similar pictures. Les banlieues, on
the contrary, are not full of cosy homes for well-to-do people, but
are composed of matchbox-like high-rises full of France's poorest
jostling for space.

>From this French cultural escalator has emerged another phrase: Les
Exclus, a term often associated with those who live in les banlieues.


It means those who are denied an active role in the cultural space and
have no access to affluence. So, in France the term banlieues raises
negative images of drugs, crime, violence and Islamic fundamenta-lism.

It would be inappropriate to say banlieues mean suburbs. One can
imagine how much the 'visible minorities' have been marginalised.

Thus, laid on this Parisian table is a clear issue for correct
translation and gaining mutual knowledge so that banlieues begins to
mean suburb.

Italian author Umberto Eco visited India just two weeks before the
riots broke out, to chair a roundtable on 'Strategies for Acquiring
Mutual Knowledge'.

During the session he spoke at length about the care one must take
while translating texts. He said that while translating, specially
from one culture to another, extreme care should be taken in making
the text accessible to the language it is being translated into.


It is all a question of negotiation. And he feels there has always
been an element of scepticism in how the West negotiates with Islam.
"Islam has always influenced Europe and in fact, it is Islam that
differentiates northern Europe from southern Europe".

He cites the examples of Spain and Italy: "Spanish music and
architecture have unambiguous Islamic influences while Italian
Renaissance art drew heavily from the religion".

He also points out that Spain and France have been at variance with
how they have accepted Islam. The results are apparent.

The problem with this argument is that the West spends a lot of time,
energy and money to learn other cultures, but allows few occasions for
other people to study western customs and practices, causing alienation.


It only results in ethnic, social and economic separation. The
organisation that brought Eco to India, Transcultura, has been
campaigning for alternative anthropology and "is constructed on the
principles of reciprocal knowledge, respect and mutual enrichment, it
develops metho-dologies of transcultural analysis applicable to
different situations and intercultural contexts".

The Italian semiotician feels such anthropological studies remove
counter-positions of Us and Them. In the 80s and 90s, the banlieues
caused much anxiety in France.

It spawned the fear of the Other — the French men and women living a
few kilometres away from Us, the rich citizens. What has happened now
is the outcome of what has been brewing over the years.

Most ethnic conflicts, therefore, have their foundations in the
baggage of prior knowledge that comes with what we have read and seen
on television and cinema.

The basis for understanding all cultures is to make the correct
translations, the right adaptations. That determines, first, if you'll
fall. And if you do, how you land. So far... not so good.








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