Hello A bunch that came to my mind:
Jean Gabriel Periot's We Are Winning, Don't Forget: https://www.dailymotion.com/video/x7m92r Lene Berg's False Belief and Stalin by Picasso Chris Kennedy's Watching the Detectives Marker's Si j'avais quatre dromadaires Heimat Is A Space in Time by Thomas Heise Breathless Animals by Lei Lei The Host, by Miranda Pennell Luke Fowler's To The Editor of Amateur Photographer Phil Hoffman's On the Pond: https://philiphoffman.ca/filmography/on-the-pond/ A Caça Revoluções by Margarida Rêgo: https://www.youtube.com/watch?v=_hDHrtcQyog Muybridge Film, by Anne Rees-Mogg El mié., 10 jun. 2020 a las 9:45, Eric Theise (<ericthe...@gmail.com>) escribió: > Hello Albert, > > I've seen a film by or about the late Robert Frank containing a scene > where he drills a hole through a hefty stack of photographic prints. My > memory is that the audience was audibly shaken at the destruction while I > thought it was kind of a bullshit move. With all due respect, Robert Frank, > I hope you paid your printer, let's talk after you've drilled a hole > through your *negatives*. > > It's possible that the film I'm remembering was "True Story". > https://www.mfah.org/films/robert-frank-collection/ > > Eric > > P.S. The last entry on that MFAH page is "Harry Smith at the Breslin Hotel > 1984", finished 2017; have any Frameworkers seen that? > > > On Tue, Jun 9, 2020 at 3:06 AM Albert Alcoz <albertal...@gmail.com> wrote: > >> Hello all, >> >> I was making a list of experimental film practices on photography and I >> was wondering if you could suggest more titles. >> >> At first I wanted to focus just on movies where photographs are deleted >> (burned, destroyed) or denied but I only know *(nostalgia)* for Hollis >> Frampton and the project *Found Monochromes* by David Batchelor (slides). >> Does anyone know other films where the main purpose is the destruction >> or the invisibility of photographs? >> >> On the other hand I have started a list of films made from photographs. >> There are dozens of films (some of them animations) where the object of >> analysis are still images, from filmed Polaroids to appropriation of >> advertising images from magazines or the accumulation of digital images >> found on the internet: >> >> *Transformation by Holding Time* by Paul de Nooijer >> *Pasadena Freeway Stills* and *Hand Held Day* by Gary Beydler >> *Production Stills* by Morgan Fisher >> *Frank Film* by Frank Mouris >> *Boy Meets Girl* by Eugènia Balcells >> *Wall *by Takashi Ito >> *Photodiary *by Takashi Ito >> *Clandestine Porn Film* by Augustin Gimel >> *DIES IRAE* by Jean Gabriel Périot >> *The World as Will and Representation* de Roy Arden >> >> Do others come to mind? >> >> Thank you, >> Albert Alcoz >> -- >> http://albertalcoz.com/ >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Elena Duque Viña Telf: (+34) 605431072 http://cargocollective.com/elenaduque <elenadu...@gmail.com>
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