Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-07 Thread Rupert
I took you at you word, even though the word honoured was directed at David: I stole your beautiful rainbow and pasted it over my ugly house :) http://twittervlog.tv/?p=153 Rupert On 2 Jul 2007, at 19:38, Adam Quirk, Wreck Salvage wrote: Free as in liberty and the natural state of man, not

[videoblogging] Re: The History of What My Dog Can't Hear

2007-07-04 Thread Adam Jochum
In a live perfomance, the venue pays for the privilege of allowing the musician to perform copyrighted material via ASCAP and BMI 'membership'. If a recording is made, the musician pays for the privilege of distributing the copyrighted material. Some friends of mine in a band who released a live

Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-04 Thread Richard (Show) Hall
Ok, I'm not sure how this has changed since Maureen and I were playing music and recording. Anyway, we recorded one cover song on a CD we made - writer was ASCP or BMI, don't remember which - and the way it worked was that for every CD we sold we were to pay him 9 cents or something like that

Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-04 Thread Rupert
Music copyright - recorded and performed - is handled in the UK by the MCPS-PRS Alliance. They are experimenting with various different discount schemes for using music in podcasts. They had a cheap license last year, I think, which they withdrew. They're now planning to re-release it, i

[videoblogging] Re: The History of What My Dog Can't Hear

2007-07-03 Thread missbhavens1969
Well, I was under the impression that musicians/bands covering a tune for a recording would certainly need permission on the assumption that money would be made from the sale of the album. But every band in every live concert I've ever seen has done at least one cover (always my favorite part of

Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-03 Thread Andreas Haugstrup Pedersen
There are standard licensing agreements for this kind of stuff and no permission is needed as long as you pay. In the case of music being covered by a live band it is to the best of my knowledge the venue who is paying the licensing fees (in Denmark, don't know about the US) to the

Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-03 Thread Brook Hinton
In the US it is assumed the venue has paid their annual licensing fee. My understanding is even bars and cafes aren't supposed to have a radio on unless they have paid a licensing fee. It is: insane. ___ Brook Hinton film/video/audio art

Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-03 Thread Andreas Haugstrup Pedersen
That is true in Denmark as well. The prices are very reasonable (I just looked them up) and won't hold any establishment back. - Andreas Den 03.07.2007 kl. 17:16 skrev Brook Hinton [EMAIL PROTECTED]: In the US it is assumed the venue has paid their annual licensing fee. My understanding is

Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-03 Thread Adrian Miles
around the 3/7/07 Andreas Haugstrup Pedersen mentioned about Re: [videoblogging] Re: The History of What My Dog Can't He that: That is true in Denmark as well. The prices are very reasonable (I just looked them up) and won't hold any establishment back. ditto in Australia. the agency responsible

[videoblogging] Re: The History of What My Dog Can't Hear

2007-07-03 Thread bordercollieaustralianshepherd
As always I have stories, but this time I'll just provide links and search terms.. http://www.ascap.com/licensing/ http://www.bmi.com/licensing/?link=navbar http://www.bmi.com/licensing/entry/C1176 You should be able to find plenty of info using these search terms: ASCAP and BMI, ASCAP and

[videoblogging] Re: The History of What My Dog Can't Hear

2007-07-02 Thread David Howell
When you say free lo-fi music by me, is that free as in I can use your music without remuneration to you? Not trying to sound like a prick. I like your tunes and could find use for them in a few videos I have planned. David http://www.davidhowellstudios.com --- In videoblogging@yahoogroups.com,

Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-02 Thread Adam Quirk, Wreck Salvage
Free as in liberty and the natural state of man, not price. They actually cost $4.30 each. Them's just jokes. Use em as you see fit. I'd be honored to hear them in your video, and those songs aren't mine to sell. On 7/2/07, David Howell [EMAIL PROTECTED] wrote: When you say free lo-fi music

[videoblogging] Re: The History of What My Dog Can't Hear

2007-07-02 Thread David Howell
Excellent. Much appreciated. I'll care for them and treat them as though they were made of the finest crystal. Maybe, on a hot summer evening, I might just call one of them Fred. David http://www.davidhowellstudios.com --- In videoblogging@yahoogroups.com, Adam Quirk, Wreck Salvage [EMAIL

Re: [videoblogging] Re: The History of What My Dog Can't Hear

2007-07-02 Thread Andreas Haugstrup Pedersen
Beware though that the US court system do not agree with the dog essay. Adam did not write most of those songs and thus you will also need to secure permission from the composer (or pay ASCAP fees or whatever the procedure is for the kind of work you want to make). Longer reply coming in a

[videoblogging] Re: The History of What My Dog Can't Hear

2007-07-02 Thread David Howell
Interesting. So, all musicians or bands covering a tune must get permission first or pay fees? Does that include if they cover a song in an encore or something too? Adam's music might have to become my bastard red-haired step children then. David http://www.davidhowellstudios.com --- In