It appears my comments have been taken the wrong way, I do aplogise if I made 
myself less than 
clear...(sorry Fred!).

I was not for a moment suggesting that we ignore the huge debt owed by all of 
us to ethnic 
communities around the world for the inhumane treatment they have been subject 
to.  I do 
actually think it is utterly shameful the way that privilaged white communities 
now try to buy 
in on black artists innovations and creativity and call it thier own.  This is 
a problem all 
over the world and I for one think it's a disgrace given the history of 
opression and 
mistreatment.

I do know some of the history of black america as I am a music student, 
specialising in 
ethnomusicology.  I know in its self this is worth a big 'so what?', but I'm 
doing it because I 
have a keen interest and respect for ethnic music of all types and how western 
culture has 
become so immersed in these new types of music, literature and art, but without 
aknowledging 
the roots.  Indeed ever since Elvis, white artists have plagerised black ideas, 
put a cute 
white face on it all and called it their own.  It's little wonder why the black 
communities are 
so defensive now.

I know I cannot understand the victims point of view in this, as (hands up) 
being a white boy 
from Glasgow, my social upbringing was very different.  All I was meaning was 
that from "my 
point of view", I think music is music, soul is soul wherever you come from; I 
knew this at 8 
years old when I first watched 'Woodstock '69' on TV and was introduced to Sly 
Stone and Jimi 
Hendrix kicking 10 shades of shit out of white, boring, ignorant, 
blues-bandwagoners screaming 
electric guitars and no soul in it, just around the time that my mate's dad was 
giving us some 
Robert Johnson to listen to.  It was seeing Sly on TV that night that changed 
my life and set 
me on a collision course with funk, then techno and house.

I hope this puts my previous comments in context.  I did not wish to offend 
anyone and have 
nothing but total respect for black artists in Detroit, their contribution to 
modern culture 
commands the most sincere appreciation.  I perhaps thought, niavely, that most 
of us on the 
list feel the same as I do or we wouldn't be here right?  History and dues 
aside, I think we 
can all take a record on its merits as music, and surely when it comes down to 
it that's the 
essence of soul.

Apologies again for any misunderstanding,

Niall.

PS.  Fred - I believe Black Nation have recently released a new Umek 
12"...acceptance, 
integration & respect.

Peace.

))\ ))  o  ___  )) ))
(( \(( (( ((_(, (( ((...

Reply via email to