from the Wire interview.  Says it all for me.

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D: Was last night the first time you’ve DJed with just CD decks?

J: I think so.

D: That’s funny that you’re not sure.

J: It’s different, and I really don’t like it so much. Having to look at
a list of what’s on the disc and pushing too many buttons. …. Vinyl, you
don’t have to look at the meter. Your mind can be elsewhere, your eyes
can be elsewhere. You use your ears less in the digital format than you
do in analogue, in a vinyl situation, because your listening very much
to the frequencies to know, or the structure of the song to give you
cues for when to do what. Or how to weed away those frequencies so that
you can mix the next record in. But when you have to look at the screen
or a computer read out it’s different. In some cases, it’s OK, because
last night I was concerned about the vibration, because we were setting
things on the floor. But I would much prefer to use vinyl, because of
the physical aspect of connecting with this motion, this clockwise
motion of this disc, information, the frailty of it all. The needle is
just tracking on the surface of this record. And that any jolt would
totally disorient it, and everyone else, and myself. And that I think is
most reflective of the life of what we are, and who we are and how we
live. We don’t control our destiny, we don’t control our life, we don’t
control what tomorrow is going to be. It’s by coincidence. We have to
adapt. And that I think it is why I think I like vinyl the most, because
it puts you right on the edge of disaster. And that I still like.


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