Scream that I sample...but they should sample this-my pitbull. On Wed, Oct 21, 2009 at 9:42 PM, cheater cheater <cheate...@gmail.com> wrote: > No, to prevent this you don't make the bass mono, you just make the > groove deeper. It's obvious to anyone who has ever drawn on wet sand > as a kid. > > D. > > On Thu, Oct 22, 2009 at 1:38 AM, kent williams <chaircrus...@gmail.com> wrote: >> Well everyone knows not to give a mastering engineer a track with the >> bass out of phase. The problem is how stereo is encoded on vinyl -- >> vertical motion is the difference between the signals and lateral >> motion is what's common between the signals. >> >> Out of phase bass signals will make the groove shallower at the same >> time the needle is being pushed laterally, and the needle pops out of >> the groove. >> >> I have a test press from a Detroit label I won't name, cut by a >> mastering engineer I won't name, that skips because somehow it got cut >> with this problem, so I know it's not unheard of. >> >> On Wed, Oct 21, 2009 at 6:39 PM, Tristan Watkins >> <phonop...@googlemail.com> wrote: >>> On 21/10/2009 16:43, kent williams wrote: >>>> >>>> Which is why everything below 100HZ needs to be monophonic! A cutting >>>> engineer can't fix that without putting your music through a crossover >>>> and messing with the bass phase while checking a goniometer. They >>>> really hate that shit. >>> >>> It's interesting that Rashad Becker from D+M says it ain't so. >>> >>> Robert Henke: Does this imply that you can cut more complex signals if they >>> are in mono than if they are stereo? >>> >>> Rashad Becker: "Well in mono they /are/ less complex, so mono signals might >>> cause slightly less problems. But there is a huge myth about that you can >>> only cut bass in mono, thats something which is really resistantly in >>> producer's heads, *its absolutely not true!* >>> >>> I have been cutting several thousand of vinyls and I really have to think >>> hard about when ever I had to cripple a stereo bass signal beyond musical >>> recognition because it wasn't translatable to vinyl. That might be three >>> cases, in all that years." >>> >>> More here: http://www.monolake.de/interviews/mastering.html >>> >>> Cheers, >>> >>> Tristan >>> >>> >> >
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