was "blue arsed fly" landstrum and vogel? or is my dope addled memory playing me up again?
and i never knew it was him behind buckfunk 3000. u learn something new each day... ----- Original Message ----- From: "M. Todd Smith" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Saturday, May 05, 2001 7:07 PM Subject: Re: [313] 313 stand on.... > Phonopsia wrote: > I love old Landstrumm from the Peacefrog days. Played some tonight. Since > then a lot of it has been "close but no cigar" for me. His contribution to > one of the New Electronica comps was quite nice and a good change of pace > though. The Blue Arsed Fly stuff was nice too. I don't think Russ > Gabrielle's "In The Bag" remix has ever strayed too far from my crate (not > that that really counts). > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > Tristan your missing out on some of Landstrumm's best moments; Praline > Horse, Bedrooms & Cities, Misunderstanding Disinformation (all on Tresor) > all contain some great Landstrumm gems, not to mention his Sativae output, > which may sound a little dated now but still pumps a crowd well. Lately > I've been really digging some downtempo tunes he's produced with Si Begg on > Mosquito (the label Russ initially heard Blue Arse Fly on to sign them to > Ferox). > > Vogel on the other hand, was hit an miss for me, I love 'Lock onto Signal' > off of Tresor 5, but dislike most of his other Tresor output, with a few > exceptions, mainly 'Don't Take More' off of "All Music Has come to an End" > and 'Tearing the Groove" shows a side of Vogel I would love to hear a whole > LP by. Which his newest work Rescate 137, comes closer to doing, and if I > could ever find it on vinyl I would snatch it up. For the most part though > I just don't understand his concepts, but then again I'm sure I'm not the > only one. He's quoted as saying "I make music for f***ed up people". Go > figure. > > Si Begg has had a big hand in what Landstrumm and Vogel have put together, > and has been around since the Mosquito days (him and Vogel did 2 records on > Trope called Inevitech TR007 and TR011, I'm still looking for these and will > pay good money or trade). He is weirder than anyone else in the No Future > camp, and has no fear of breaking the boundaries on what is and isn't music. > His concepts are clearer on his Cabbagehead material (check out 'Commercial > Suicide' for the most laughable product oriented track ever), but he too can > be quite deluded. He sticks mostly to abstract breakbeats now (producing > for Skint and under his Buckfunk3000 guise). Remember 'All the Way In' by > Bigfoot (feat. on Laurent Garnier's Laboratoire mix), that was Si. I love > that tune. His most recent output was "The Noodles Foundation presents: > The Death of Cool part 2" it is basically Si doing what he does best: > f***ing sh*t up! > > Berkovi, is a gearhead and writes for Future Music. I've tried to collect > most of his output but I'm beginning to wane on it. Especially after his > 'Charm Hostel' LP came out on Force Inc. a couple of years back. Great > producer limited by his need to be weird. > > Tobias Schmidt's latest LP 'Dark of Heartness' is his best work ever IMHO, > there's no need to look back on what he has done before, same goes for > Tarrida and his latest opus 'Paranoid'. > > I hate Subhead and SuperCollider really didn't hit me either. > > Sorry to blather on about this, these guys really interest me though. They > have been pioneering the weirder end of techno for so long and making it > stand out so that when labels like Perlon come along and put out some wack > ass sh*t we all think it sounds great! Their impact on techno is far > reaching, and we will be reaping the rewards of their past output's > influence upon future generations for some time to come. > > R.I.P No Future Camp > > Cheers > todd > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
