I am not normally too bothered by fade ins on records as most of the time
you can get around it. But yopu have hit a raw nerve with one record I have
always wished wouldn't fade in. That record is the UR - Turning Point
release. The track with the distorted funked out organ sound. The name
escapes me now though.

I also remember when Antonio Fargas (Huggy Bear) presented the 'top ten soul
records of all time' for Channel 4 in the UK. He quipped, "Man, I hate fade
outs!".

Scott M
----- Original Message -----
From: <[EMAIL PROTECTED]>
To: Jongsma; K.J. <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Wednesday, February 27, 2002 1:43 PM
Subject: [313] RE: (313) Fade In Techno


> Mills has a few excellent hard tracks (especially those early Axis
records) that
> really would become instant classics and favorite DJ tools if they would
just
> start from 1 and not with a fade in... And it's not only Mills I am
talking
> about.
>
> W
>
> -----Original Message-----
> From: "Jongsma; K.J." <[EMAIL PROTECTED]> at INET-1
> Sent: Wednesday, February 27, 2002 12:52 PM
> To: Lammerts, Wibo; "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]> at INET-1
> Cc: 313@hyperreal.org at INET-1
> Subject: RE: [313] Fade In Techno
>
>
> It is not difficult to understand. You are assuming that all
techno(related)
> tracks are all made for DJ's. I don't think that people like drexciya are
> DJ's or make there music for DJ's. They music because of the music and not
> fot DJ's.
>
> [EMAIL PROTECTED]
>
>
> > -----Oorspronkelijk bericht-----
> > Van: robin pinning [mailto:[EMAIL PROTECTED]
> >
> > i am with you all the way on this. tracks that fade in are
> > impossible to
> > mix in correctly, unless you want to ruin the natural flow
> > and structure
> > of your mix.
> >
> > drexciya (and related projects) do this a lot too and i've never
> > understood it.
> >
> > robin...
> >
> >
> > > A lot of the old records by Mills have tracks on them that
> > do not start at
> > > normal volume levels, but somehow the track gets faded in.
> > (And not only
> > > Mills of course)
> > >
> > > Am I the only one who thinks of this being a real drag? I
> > really like a
> > > specific track from AX009 but I find it really impossible
> > to mix when there
> > > is a monitor speaker blasting in my left ear. These are the
> > type of records
> > > that cause major trainwrecks in my DJ sets!
> > >
> > > I consider most of Mills' stuff being really DJ friendly,
> > but why does he
> > > produce his tracks this way? Also, anyone got tips on
> > dealing with this?
> > >
> >
> >
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