Mills has a few excellent hard tracks (especially those early Axis records) that
really would become instant classics and favorite DJ tools if they would just
start from 1 and not with a fade in... And it's not only Mills I am talking
about.

W

-----Original Message-----
From: "Jongsma; K.J." <[EMAIL PROTECTED]> at INET-1
Sent: Wednesday, February 27, 2002 12:52 PM
To: Lammerts, Wibo; "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]> at INET-1
Cc: 313@hyperreal.org at INET-1
Subject: RE: [313] Fade In Techno


It is not difficult to understand. You are assuming that all techno(related)
tracks are all made for DJ's. I don't think that people like drexciya are
DJ's or make there music for DJ's. They music because of the music and not
fot DJ's.

[EMAIL PROTECTED]


> -----Oorspronkelijk bericht-----
> Van: robin pinning [mailto:[EMAIL PROTECTED]
>
> i am with you all the way on this. tracks that fade in are
> impossible to
> mix in correctly, unless you want to ruin the natural flow
> and structure
> of your mix.
>
> drexciya (and related projects) do this a lot too and i've never
> understood it.
>
> robin...
>
>
> > A lot of the old records by Mills have tracks on them that
> do not start at
> > normal volume levels, but somehow the track gets faded in.
> (And not only
> > Mills of course)
> >
> > Am I the only one who thinks of this being a real drag? I
> really like a
> > specific track from AX009 but I find it really impossible
> to mix when there
> > is a monitor speaker blasting in my left ear. These are the
> type of records
> > that cause major trainwrecks in my DJ sets!
> >
> > I consider most of Mills' stuff being really DJ friendly,
> but why does he
> > produce his tracks this way? Also, anyone got tips on
> dealing with this?
> >
>
>
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