Got this from the FS forum...when I asked the same question.

"this is a rather mythical theory which i've been looking into also....other 
theories are over-eager RIAA preamp curves, vinyl characteristics etc.

if this feedback theory really would be true then you would be able to hear a 
difference in every different room due to different positioning of speakers, DJ 
booth, walls, anti-feedback solutions etc.etc. furthermore in a large room the 
low frequencies would be returned rather late (think about sever ms's, probably 
over 10ms or even 20ms) before they could be picked up by the needle/cartridge 
again, which would create a very "floppy" delayed doulbe-triggered kind of 
effect on the bassdrum....

i find it hard to believe this is the case, but i am very interested in other 
people's thoughts about this.

If this really would be true an effect like this could be replicated by a delay 
line which is lowpass filtered and added to the signal after a few ms's.."



-----Original Message-----
From: Ploegmakers, Joost [mailto:[EMAIL PROTECTED]
Sent: Thursday, September 19, 2002 9:13 AM
To: 313@hyperreal.org
Subject: RE: [313] FiNal ScrAtch - finally roadtested...



When I first heard of final scratch, I was convinced this would be the
future of DJ-ing. Not FS by itself, but in combination with normal vinyl. (I
am convinced I will always still be using vinyl, if only not to be totally
dependent of computers) And when I saw John Aquaviva showcasing the first
version here in Utrecht I was even more convinced. 
I do keep missing one remark in this whole discussion however. One great
aspect about playing music from vinyl is feedback; the amplified music,
specifically bass, reflects back on the record and gets picked up by the
needle again and amplified again. Too much feedback leads to rumble, but
just enough creates this fat deep bass sound we're all so addicted on. Final
scatch can never recreate this, since the records don't contain the actual
music. 

So far this is the only real flaw I can find in this whole setup. 

Unless the FS guys already thought of building in some kind of feedback
plugin? If not, FS or Native Instruments, you've got work to do...

Joost


-----Original Message-----
From: Langsman, Marc [mailto:[EMAIL PROTECTED] 
Sent: donderdag 19 september 2002 11:31
To: 313@hyperreal.org
Subject: [313] FiNal ScrAtch - finally roadtested...



I went to the Plasa light/sound show in london the other week and finally
got a chance to roadtest F/S on the uk distributor of stanton's stand :] 

I was thoroughly impressed and I would say it is very difficult to fault - I
gave it some solid scratching + crabbing and it held up fine as well as
skipping the needle about, spinbacks etc etc. The software is pretty good
too - you can see a waveform of the tune and its not too difficult to skip
to a break etc. The 'record box' functionality is quite nice - they had
house/hip-hop/breaks/etc boxes set up on F1-F9 keys. 

After I'd finished dribbling all over it I had a chat to some guys on the
stand...from what they were saying it sounds like u need a Linux partition
on your laptop/pc but they give you a distribution in the box [not sure why
they couldnt have F/S on a bootable linux CD as that would be way less
hassle].  I think UK retail is between 450-500GBP. They were running it off
a compaq presario notebook [not sure what spec] but the guy said anything
around the 500mhz mark should do the trick. Spare records are gonna be
around the 15GBP mark too.

in summary.....*I WANT ONE!!*  :]


peace,
Marc



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