have to agree with you jeff there. I have that too. A tear jerking darker ie sadder section in the middle, ive tried to follow the tracks carefully and im think sequence of tracks on the listing doesnt match the sequence of tracks recorded but they do contain
one and only - pfm we can change the future - code of practice breathless - intense rav > -----Original Message----- > From: FC2 Richards [SMTP:[EMAIL PROTECTED] > Sent: Wednesday, January 15, 2003 3:16 AM > To: 'Jongsma, K.J.' > Cc: '313@hyperreal.org' > Subject: RE: (313) Exploring Drum and Bass > > I just picked up the Mixmag Live CD that featured LTJ Bukem, which if you > ask me, is the Best D&B mix I have ever heard. My only problem with it is > the fact that they didn't beak the tracks down, so it is only one track > front to back... > > peace > > > Jeff > > -----Original Message----- > From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] > Sent: Monday, January 13, 2003 7:37 PM > To: 'Lee Herrington IV'; m a t t [d] > Cc: 313 > Subject: RE: (313) Exploring Drum and Bass > > > I lost track on Drum & Bass years ago but there was an era that it produced > some amazing records. I forgot most of the titles but i loved almost all the > PFM stuff, Certificate 18, Source Direct did some really beautiful things as > well! The first Logical Progression from LTJ Bukem is an essential D&B > compilation IMHO. > > Nowadays most of it is the same as loop techno for me... getting on my > nerves :) > > > [EMAIL PROTECTED] > > > > > i still pop on "paralell universe", [4hero] from time to > > time. and that > > "in order to dance 6" comp on r&s has some great > > ,"detroit-inspired" d&b > > works... check out "jazz juice - deroit". > > > > peace, > > lrh > > > > -----Original Message----- > > From: m a t t [d] [mailto:[EMAIL PROTECTED] > > Sent: Monday, January 13, 2003 3:48 AM > > To: 313@hyperreal.org > > Subject: Re: (313) Exploring Drum and Bass > > > > > > > of, dare I say it, soulful drum n bass. > > > > I've been thinking about this a lot myself lately. Back in > > 95 I read an > > interview with Alex Reece who said how much he was inspired > > by UR and their > > melodies. Last week I went back to some of my favourite d+b > > records from > > 94 -99. While mixing some of my favourite examples of what > > would later be > > given the kiss of death by the label 'inteligent'. If you > > listen to some of > > the early reece, pim, wax doctor, the d+b that was put out on > > R&S (esp the > > model 500 remixes), hidden agenda, creative source stuff etc > > there are IMHO > > a lot of at least superficial similarities to the detroit sound - the > > momentum of the beats, the use of strings, new sounds, eq > > levels in the > > production, use of dissonance, the funk in the spaces between > > the beats. > > Mixing them to maximise the beat and bass switches and > > absolutely minimise > > breakdowns I find it quite close in feeling and emotion to > > the feeling and > > emotion of dancing to a long deep soulful techno mix - with a > > big smile on > > my face :) > > > > It was these tunes that started making me want to find out > > more about this > > detroit sound I was hearing about. > > > > The mix I refer to isn't 100% perfect, but if anyone is > > interested I can > > host it for others to hear what I'm talking about. > > > > Maybe it's just nostalgia (already!) :)) -- has anyone else > > experienced or > > thought about something similar along these themes? > > > > Matt > > - > > [EMAIL PROTECTED] > > > > -------------------------------------------------------------- > DISCLAIMER > > De gemeente Almelo aanvaardt voor haar medewerkers geen enkele > aansprakelijkheid voor eventueel onjuist, onrechtmatig of > ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). > > Dit e-mail bericht is door de gemeente Almelo gecontroleerd op > de aanwezigheid van eventuele virussen. Wij kunnen echter geen> > garantie afgeven dat al onze e-mail berichten volledig virus > vrij zijn. Het is daarom verstandig uw binnenkomende e-mail > berichten zelf op de mogelijke aanwezigheid van virussen > te controleren. > --------------------------------------------------------------
