[EMAIL PROTECTED]

go to yahoogroups.com and sign up for the list from there. 

-----Original Message-----
From: ::) [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 6:29 PM
To: 313@hyperreal.org
Cc: Ralf Gill
Subject: Re: (313) production and mastering


can someone provide ralf with the addy please?


Im at work and not able to log into my home pc

+ my laptop is away from home atm

-Joe


----- Original Message ----- 
From: "Ralf Gill" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Thursday, February 06, 2003 3:26 PM
Subject: RE: (313) production and mastering


> whats the address for this list please?
> 
> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: Friday, 7 February 2003 6:15 a.m.
> To: spw; [EMAIL PROTECTED]; 313@hyperreal.org
> Subject: Re: (313) production and mastering
> 
> 
> this is off topic.  I wouldn't really care except that its
> turning into a marathon thread, and based on what I've read
> thus far, its less mastering tips and more arguing about
> protools and how to sound like someone else sounded 10
> years ago (aka "old school")
> 
> I know there is a 313 production list for threads of this
> exact nature.
> 
> 
> 
> 
> -Joe
> 
> 
> No offence, but it sounds like you have never used Pro
> Tools.
> There is the free version at digidesign's web site if you
> want to become
> more familiarized with the software.
> http://www.digidesign.com/
> 
> To me you you cant blame what your describing on
> 'over-production' it's more
> like 'over-processing' or the over use of DSP type effects.
> One big differance I hear in todays techno and 'tech-house'
> has more to do
> with the equipment people are using, buy a real TR-808 and
> a vintage
> synthesizer if you want to sound old school.
> 
> on 2/5/03 8:50 PM, [EMAIL PROTECTED] at
> [EMAIL PROTECTED] wrote:
> 
> > Far be it for me to enter into a 'debate', but I didn't
> assert that
> > Pro-Tools performs composition. However it can have a
> decisive effect on
> > 'sound'.  This is due to numerous factors, such as the
> A/D converters used
> > (Digidesign, MOTU, Apogee etc.) and the software itself,
> i.e. the TDM
> > system of DSP, which is far more powerful than most home
> systems. Even
> > though it ends up on a DAT or CD, the difference is
> audible.
> > 
> > Thanks for the advice on what equipment to use, although
> I'm afraid I've
> > never heard of a 'Rompler'.
> > 
> 
> sample based sound modules.
> 
> > Regards,
> > 
> > Andrew

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