Maybe something like this (taken from an actual episode and trying to keep
it somewhat OT)

Peter Marshall: "True or false: A Detroit housewife was awarded $275,000 by
a jury because she doesn?t feel a thing when she kisses her husband?"
Paul Lynde: "Does Charo live in Detroit? Good for you, Charo!"

and we all chuckle
MEK



                                                                       
                      Michael.Elliot-Knight                            
                      @fallon.com                  To:       Kent williams 
<[EMAIL PROTECTED]>
                                                   cc:       313 list 
<313@hyperreal.org>
                      06/03/04 02:27 PM            Subject:  Re: (313) The 
Price is Right theme remix/edit?
                                                                       
                                                                       








yep - what I heard was a bootleg and it was [EMAIL PROTECTED]
I'm listening to a sample from Rush Hour of the original PJ Project release
and I will say, while it's not exactly my thing, it's got more funk in the
runout groove than the version I heard had at in its best moments

now if it was the theme to The Hollywood Squares with a few choice samples
of Paul Lynde quips - we'd have a hit ;)

MEK





                      Kent williams

                      <[EMAIL PROTECTED]>        To:       313 list
<313@hyperreal.org>
                                               cc:

                      06/03/04 02:16 PM        Subject:  Re: (313) The
Price is Right theme remix/edit?






On Thu, 3 Jun 2004 [EMAIL PROTECTED] wrote:
>
> Well, the Price is Right must have started in either the early 70s or
late
> 60s so it's fitting that it sounds the way it does.
>
The actual "Price Is Right" theme is by a composer named Sheila Cole. The
dance version was by Paul Johnson.  Terrence Parker used to play this out.
And yes it can get annoying.  But Paul Johnson does do a good job of making
it into a crowd pleaser.

The sample in Johnson's track has a female voice and sounds more like
a Brazilian Samba School version.







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