I think getting lawyers involved would be WEAK. he's got to expect this kind of thing when he's unwilling to release in numbers that satisfy demand. its like holding yum candy just out of reach of kid with a sweet tooth. people have the technology and the willingness to get the music out no matter what KDJ wants, so he might as well re-release and get some money for his tracks while he can.
of course, with this in mind, I'm not going to care very much when he starts complaining about being bootlegged again, he's not learning anything from these situations, evidently mr contentious-point-of-view-today, -Joe ----- Original Message ----- From: "Ken Odeluga" <[EMAIL PROTECTED]> To: <[email protected]> Sent: Tuesday, June 08, 2004 4:51 AM Subject: RE: (313) 'Moodyman': 'The Silence Is Broken' > >Aquarhythms - Body Jazz Body Fusion (Carl Craig's Straight > >mix), Yennek - Serena X (Innerzone mix), La Funk Mob - Ravers Suck > >Our Sound > >(Carl Craig remix), Brian Transeau - Relativity (Carl Craig's Urban Affair > >dub), Tori Amos - God (The Rainforest Resort mix), Iccognito - Out Of The > >Storm (C's Planet E Special mix) > > > >On CCR Records ... Legit? > > I don't know, but I would suspect that this is another boot, just going by > the current trend of release skeds and the type of labels chosen (if not the > artists' own) on which to release. I've never heard of CCR or Neon (which > released the 'Moodyman' boot). > > Not wanting to reignite the rather acrimonious debate about how much > material (quantity and frequency) producers should release, but these > bootlegs do implicate a perceived supply-demand mismatch, and the ultimate > responsibility for that will tend to lie with the artists. > > Doesn't justify being ripped off but releasing more frequently/more > 'volumes' (in electronic music that word's a bit of a misnomer but you know > what I mean) will tend to reduce the risk of bootlegs, that's just a fact. > > k > > >
