Oh gawd. Adorno: call your office. There are a lot of problems with this guy's argument, the first of which is that he's pretty much re-hashed the elitist cultural critique of a writer (Adorno) who has been shown to be very intolerant towards any form of popular music--and particularly repetitive kinds. This guy tosses around phrases such as "Music is a language" or "Great Music" without really thinking about the consequences of his logic. Thomas was right to point out the mostly white, Euro/American bourgeois genealogy of composers/artists that are "Great." A lot of these anti-pop, anti-technology, nostalgia-for-the-good-old-days sort of arguments have a tendency to indirectly re-support the idea that music associated with other genders, races, sexualities, etc. are somehow inferior.

poop!
Luis
Toronto ---> Chicago (Fall)

On Tuesday, July 20, 2004, at 01:39  AM, Thomas D. Cox, Jr. wrote:

http://www.furious.com/perfect/technologytrap.html


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