Funny you say that, that's the exact same thing that happened to me with that track. I thought it was just another shelter belter until I heard it outside in the park all hopped up. It's soooooo hot to me now. It's got this bounce that won't quit. And girls looooooove it. That happened with sa k' pase on trackmode. I had been hearing it forever, and never played it because it just sounded repetitive, but after hearing it on a rig! Whoooooooo that bassline does some unexpected things and moves the whole track around gorgeously. So yeah...it's a banger now. Mostly this happens to me with house records though. I'm pretty accurate with my techknow.
Kamal K. Stoddard Turner Broadcasting Systems > -----Original Message----- > From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] > Sent: Thursday, April 07, 2005 8:53 PM > To: 313@hyperreal.org > Subject: Re: (313) Carl Craig / Friday Question > > ---------- Original Message ---------------------------------- > From: "Simon Hindle" <[EMAIL PROTECTED]> > > >Which brings me to an interesting question for you all: > > > >What track have you listened to and not bothered picking up, only > to subsequently hear it on a big system and then realise that > you must have it IMMEDIATELY, to the point of even nicking it > off the DJ? > > well it wasnt hearing it on a big system, it was hearing it > played in the right place in a set that made it all make > sense suddenly for me... > > the tune is spinna's remix of shaun escoffery's "days like this". > that track was brutalized here by all the nyc house type > deejays and their sets always bore me to death, so it just > sounded like any other NYC vocal house cut. then one day a > friend of mine played it in just the right way where suddenly > i realised that it was the f*cking jam. it took a while to > hunt down, but i finally got it. i must have passed on that > record 10 times while it was around. > > tom > > ________________________________________________________________ > andythepooh.com > > > > >
