Same for Freddie Fresh - his Howlin series sits in the used bins. He didn't
get much recognition here until he started doing shit with Fatboy Slim.
MEK
Otto
<[EMAIL PROTECTED] To: 313
<313@hyperreal.org>
st.org> cc:
Subject: Re: [313]
Import/export culture
03/02/02 12:39 PM
Dan Sicko wrote:
> I think often times a "movement" seems that much more legitimate to
> the US (and I mean the lowest common denominator US) when it comes
> back to us through a UK prism.
>
> Inferiority complex? Just another obstacle to overcome?
I don't think this is US-specific. The same happened in the Netherlands,
where for instance labels like Eevolute and 100% Pure or artists like
Orlando Voorn and Stefan Robbers only got recognition at home when they
got recognition in the UK and US. It's not even techno-specific: Dutch
progressive/trance DJs like Ferry Corsten and Tiesto did not become big
in .nl until after they'd become big in the UK.
Otto
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