Yes, I must agree. The broken beat stuff is really where some of the best
jazz leaning sounds are coming from. Seiji (in all of his guises), Nubain
Mindz, Mustang, and on and on. Still trying to get my head around the Nubian
Mindz full length. Also, as a added bonus, it never fails to attract a crowd
around the decks to see what you're playing.
Awesome stuff.
MEK
From: Dan Sicko <[EMAIL PROTECTED]>
To: Ian <[EMAIL PROTECTED]>, "'313'" <313@hyperreal.org>
Subject: Re: [313] techno/jazz
Date: Tue, 23 Oct 2001 11:26:39 -0400
Mark's stuff and on the other side of the world, the West
London/Broken Beat stuff are the most promising jazz/electronic
hotbeds to me.
If we're still talking "techno" and jazz, has anybody mentioned Jamie
Hodge (Born Under a Rhyming Planet)?
He'd probably argue that there isn't a lot of common ground between
them, but in my opinion, Jamie managed to find some.
-d
At 10:29 AM -0400 10/23/01, Ian wrote:
on 10/23/01 7:26 AM, [EMAIL PROTECTED] wrote:
How about Mark de-Clive Lowe?? Maybe in the jazz camp more than techno,
but
still the electronics is a pretty crucial part of his sound.
His album "Six Degrees" is wicked. He's also pretty damn awesome live
as
well.
Is anybody else tired of waiting for a non-japanese release? C'mon
Universal!
--
im
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