| -----Original Message-----
| From: Bulger, Tim [mailto:[EMAIL PROTECTED]
| Sent: Tuesday, October 30, 2001 5:48 PM
| 
| Music is not like your child's first crayon picture.  Being enabled to
| create by a piece of software is not equivalent to being able 
| to create.
| More people creating because they _can_, instead of because 
| they feel the
| need (read, inspired) to is more likely to increase the amount of
| uninspired, lackluster music out there (those records you put 
| back in the bin and try to forget about)...

What harm do those records actually do anyway? OK, so more of these crappy
records come out. If they're really god-awful people won't buy them. I'd
rather live in a world with a vast plethora of mediocre music, a sonic
primordial soup, out of which some real gems will evolve.

People who think that the increasing ease of producing electronic music is a
bad thing are pretty confusing to me. We could always go back to making our
own equipment and programming drum patterns hard onto circuit boards, with
soldering irons. Then only highly skilled electronic engineers would be able
to make music - it'd be just like the 1950s, with only two electronic albums
released every year! Wouldn't that be great?

It shouldn't bother people that lots of music is made that they don't like.
Rebirth kiddies are hardly respected or lauded anywhere, just as kids
wearing Body Rap kits in the 1980s hardly made it to the giddy heights of
fame. Quality control always comes into play... but I'd rather buy a decent
piece of music made with Rebirth than a po-faced and turgid piece made using
Russolo's 1920s instrumentation, to be honest. If anyone managed to make
something decent with Rebirth, which I doubt...

Brendan


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