Who's that? Giorgio Moroder?
-----Original Message-----
From: Robert Taylor [mailto:[EMAIL PROTECTED] 
Sent: Thursday, April 24, 2008 10:55 AM
To: Thomas D. Cox, Jr.; 313@hyperreal.org
Subject: RE: Re: (313) 4 more Movement acts

Man, you're more single-minded than that Austrian chap with the funny
tache 


Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-----Original Message-----
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] 
Sent: 24 April 2008 18:45
To: 313@hyperreal.org
Subject: Re: Re: (313) 4 more Movement acts

On Thu, Apr 24, 2008 at 1:29 PM,  <[EMAIL PROTECTED]>
wrote:

>  painting the world in absolutes is dangerous to the mind, soul, and 
> spirit  might as well we all give up then - you included  might as 
> well lay down and die

nope.

>  ah, but you're trying to put a corral, which is at best a concrete 
> picket  fence, around something that is abstract and untouchable

nope.

>  the result is it will continue to slip out, over, and under any kind 
> of  objective rules you try to wrap "quality" in

nope.

>  you can't see inside everyone's souls to see why they like the things

> they  do

but you can see inside the soul of the people making the music, which is
what makes it either good or nonsense.

>  outside of the technical, why they find "quality" in one person's  
> playing and not in another's

i think people just make it up at random. most people dont even really
listen to music IMO.

>  laying down objective parameters on "quality" is for people living in

> fragile worlds

nope.

>  in the end, your mind, like the concrete fence, will be rigid and 
> stuck -  unable to move from where you last put it

nope.

>  if you're sticking that fence around other people then you're ego
trippin'
>  to the highest degree

nope.

tom
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