Can any NGO do an audio description in English of all these regional
movies discussed in the piece? that's a huge task but worth-doing.
Regional cinema has a lot to offer which should be taken seriously.
http://www.thehindu.com/entertainment/movies/Films-that-show-world-in-a-new-light/article17312903.ece



In Mohanlal’s latest release Kanupapa where he plays Jayaram, a
visually-impaired character, he is a lift-operator, teaches
Kalaripayattu, plays the violin, sings like a dream and has a crack at
a Punjabi number too. He hears better than an average human and given
all his abilities, the need for any sympathy is eliminated from the
picture. So is the case of spirited Rohan Bhatnagar from Kaabil;
despite his inability to see, he outsmarts the baddies Amit Shellar
and Madhavrao Shellar to seek revenge. In Nagesh Kukunoor ’s Dhanak,
ït’s hard not to connect with Chotu, beautifully essayed by the child
artiste Krrish Chhabria.



Click Here!




All these films with chirpy commercial elements received warm public
responses, a Tamil film Cuckoo that had two visually-challenged
protagonists falling in love, went onto win a National Award.
(Oppam-the Malayalam version of Kanupapa was a success, while the
Telugu version tanked) The positive and vibrant portrayal of these
characters is a marked departure from the eerie stereotypes that films
have otherwise reduced them to.

Films are a reflection of the society, adds writer-director Mahesh
Kathi. “Change comes across when the society turns sensitive about the
way they treat the differently abled. We don’t call people blind any
more, they are visually challenged. Most directors who take the middle
path do well to add nuances. Actors too take it all the more seriously
now, they are trying their best to live their roles.”

Actor Vikram played a character whos loses his eyesight in Siva
Thandavam and is reported to be donning the lead role of a visually
impaired man in a Tamil remake of the Hollywood film Don’t Breathe.






“A few decades ago, many actors considered such parts a dream,” Mahesh
feels, adding that with actors like Ravi Teja and Raj Tarun playing
visually impaired roles in Raja-The Great and Andagadu that the trend
might return.

Producer-director Tammareddy Bharadwaj has a different take on this
trend: “ We have always had strong visually-impaired characters even
in the past, sample NTR’s portrayal in the 1956-starrer Chiranjeevulu,
for a brief portion in Raktha Sambandham, Laya’s good job in Preminchu
for a similar role won her a Nandi Award.” .

However these and also Kamal Haasan’s role in Amavasya Chandrudu or
Sarvadaman Banerjee in Sirivennela, though strong, were overshadowed
by the melodramatic treatment.

Even for Srinivas Murthy, the executive producer of Kanupapa in
Telugu, it was the novelty of the theme that convinced him to dub
regionally. “It was Priyadarshan’s comeback film in Malayalam and I
was bowled over by the way he approached a subject that was quite
universal. What convinced me also was the actor’s adeptness in
essaying the character, similar to what he played in the Telugu-dubbed
film Yodha.”





At a time when staying true to the sensitivities of particular
community is a widely debated issue, the trend, despite commercial
liberties, i


-- 
Avinash Shahi
Doctoral student at Centre for Law and Governance JNU


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