I  have seen these movies.  But, when Shirene mentioned them, it did
not sound to be about them, and I could not understand which were the
mentioned ones.

On 2/21/17, Shireen Irani <shireen....@gmail.com> wrote:
> hi,
>
> pasting below, the list of 4 movies which my friend was talking about,
>  but just a small correction: the characters in these movies are not
> blind, but have other disabilities,  or belong to other marginalised
> groups, and all these roles are played by the Malayalam actor Dileep.
> in 1 of the movies he is a hunch-back, with a badly dis-figured face,
> in another movie he has a cleft lip with speech impediments, etc.
> there's 1 movie in which he has no disability, but is a cross-dresser.
> i.e. he likes to ware so-called feminine clothes.
> the fact still remains, that irrespective of the disability, these are
> characters that are not conventionally accepted by society, and
> especially when they are men, upon whom lies the entire onus of being
> able, macho, real men of society, it'd be interesting to find out the
> dynamics of the dual roles written for the actor, and the audiences
> true responses to such dicotomies.
> i've also heard that when these movies were dubbed in Tamil, a lot of
> the Tamil stars refused to perform those roles, claiming that playing
> such roles will affect their popularity among their fans, deeming them
> as less masculine and able.
> here are the names of the movies, and i believe all them were box-office
> hits.
>
> Kunjikoonan, 2002 (directed by Sasi Shanker), Chanthupottu, 2005 (
> directed by Lal Jose), Pachakuthira, 2006 (directed by Kamal), Sound
> Thoma,2013 (directed by Vyshak).
>
>
>
>
>
>
> On 2/20/17, Asudani, Rajesh <rajeshasud...@rbi.org.in> wrote:
>> Hmm.
>> Interesting.
>> Usually inactivity is associated with goodness, and presumably blind are
>> associated with inactivity.
>>
>>
>> -----Original Message-----
>> From: AccessIndia [mailto:accessindia-boun...@accessindia.org.in] On
>> Behalf
>> Of Shireen Irani
>> Sent: Saturday, February 18, 2017 12:33 PM
>> To: AccessIndia: a list for discussing accessibility and issues concerning
>> the disabled.
>> Subject: Re: [AI] From regional to bollywood: Films that show world in a
>> new
>> light
>>
>> while on the subject of regional films, here's something i got to know
>> the other day which i found very interesting:
>>
>> there is a bunch of Malayalam movies, having the following
>> characteristics:
>> 1. the male protagonist/ hero, is blind.
>> 2. the actor playing the blind hero, always has a double role, where
>> his other role is of a sighted guy.
>> 3. the sighted guy is always a villain/ bad guy, while the blind
>> character is always good/ likable, and morally correct.
>> 4. as a result, the audience is always left hating the sighted guy,
>> and liking, or  siding with the blind guy, by the end of the movie.
>>
>> this seems to have been a pattern in quite a few Malayalam movies, and
>> it'd be interesting to dig deeper into the audiences mind to find out
>> how exactly they interpret these situations. what is it that they
>> really feel for the blind characters. is it mere sympathy/ empathy, or
>> do such movies leave lasting impressions about blind people being
>> generally lovely, well-meaning, nice  people, with no evil streak?
>> what is the intention of directors of such movies. to have made so
>> many movies with similar themes?
>> i believe my friend had written a small paper on this issue, and i'm
>> trying to get hold of it.
>> i found this whole thing quite fascinating though.
>>
>> Shireen.
>>
>> On 2/18/17, avinash shahi <shahi88avin...@gmail.com> wrote:
>>> Can any NGO do an audio description in English of all these regional
>>> movies discussed in the piece? that's a huge task but worth-doing.
>>> Regional cinema has a lot to offer which should be taken seriously.
>>> http://www.thehindu.com/entertainment/movies/Films-that-show-world-in-a-new-light/article17312903.ece
>>>
>>>
>>>
>>> In Mohanlal’s latest release Kanupapa where he plays Jayaram, a
>>> visually-impaired character, he is a lift-operator, teaches
>>> Kalaripayattu, plays the violin, sings like a dream and has a crack at
>>> a Punjabi number too. He hears better than an average human and given
>>> all his abilities, the need for any sympathy is eliminated from the
>>> picture. So is the case of spirited Rohan Bhatnagar from Kaabil;
>>> despite his inability to see, he outsmarts the baddies Amit Shellar
>>> and Madhavrao Shellar to seek revenge. In Nagesh Kukunoor ’s Dhanak,
>>> ït’s hard not to connect with Chotu, beautifully essayed by the child
>>> artiste Krrish Chhabria.
>>>
>>>
>>>
>>> Click Here!
>>>
>>>
>>>
>>>
>>> All these films with chirpy commercial elements received warm public
>>> responses, a Tamil film Cuckoo that had two visually-challenged
>>> protagonists falling in love, went onto win a National Award.
>>> (Oppam-the Malayalam version of Kanupapa was a success, while the
>>> Telugu version tanked) The positive and vibrant portrayal of these
>>> characters is a marked departure from the eerie stereotypes that films
>>> have otherwise reduced them to.
>>>
>>> Films are a reflection of the society, adds writer-director Mahesh
>>> Kathi. “Change comes across when the society turns sensitive about the
>>> way they treat the differently abled. We don’t call people blind any
>>> more, they are visually challenged. Most directors who take the middle
>>> path do well to add nuances. Actors too take it all the more seriously
>>> now, they are trying their best to live their roles.”
>>>
>>> Actor Vikram played a character whos loses his eyesight in Siva
>>> Thandavam and is reported to be donning the lead role of a visually
>>> impaired man in a Tamil remake of the Hollywood film Don’t Breathe.
>>>
>>>
>>>
>>>
>>>
>>>
>>> “A few decades ago, many actors considered such parts a dream,” Mahesh
>>> feels, adding that with actors like Ravi Teja and Raj Tarun playing
>>> visually impaired roles in Raja-The Great and Andagadu that the trend
>>> might return.
>>>
>>> Producer-director Tammareddy Bharadwaj has a different take on this
>>> trend: “ We have always had strong visually-impaired characters even
>>> in the past, sample NTR’s portrayal in the 1956-starrer Chiranjeevulu,
>>> for a brief portion in Raktha Sambandham, Laya’s good job in Preminchu
>>> for a similar role won her a Nandi Award.” .
>>>
>>> However these and also Kamal Haasan’s role in Amavasya Chandrudu or
>>> Sarvadaman Banerjee in Sirivennela, though strong, were overshadowed
>>> by the melodramatic treatment.
>>>
>>> Even for Srinivas Murthy, the executive producer of Kanupapa in
>>> Telugu, it was the novelty of the theme that convinced him to dub
>>> regionally. “It was Priyadarshan’s comeback film in Malayalam and I
>>> was bowled over by the way he approached a subject that was quite
>>> universal. What convinced me also was the actor’s adeptness in
>>> essaying the character, similar to what he played in the Telugu-dubbed
>>> film Yodha.”
>>>
>>>
>>>
>>>
>>>
>>> At a time when staying true to the sensitivities of particular
>>> community is a widely debated issue, the trend, despite commercial
>>> liberties, i
>>>
>>>
>>> --
>>> Avinash Shahi
>>> Doctoral student at Centre for Law and Governance JNU
>>>
>>>
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