Hi,

The abstract below, referring to haiku, Deleuze and quantum physics is so
interesting that it requires little introduction. Read on

[START]
Poetry, Physics and Politics

In this paper I plan to talk about haiku poetry (the short Japanese poetic
form) and the connection between Western translations and quantum physics,
through the work of philosopher Gilles Deleuze. Haiku poetry has variously
been translated in the West, though more often than not translations tend to
collapse the meaning of a haiku into a single, comprehendable narrative.
However, Gilles Deleuze and Felix Guattari point out that Japanese and
Chinese poetry make use of what they call a ³floating line² which allows for
the poem to have multiplicities of meaning, rather than singular narratives
(Deleuze and Guattari; 1980). Western translators however usually translate
haiku into ³either² this meaning ³or² that meaning, while the original poem
encourages ³both² this meaning ³and² that meaning to co-exist and multiply.
Relating this to physics, classical (Newtonian) physics operates on an
³either/or² logic (in which particles are ³either² here ³or² there, and
cannot occupy the same space at the same time) while quantum (Einsteinian)
physics operates on a ³both/and² logic (in which particles may be
superimposed in the same space, and entangled in the same time). As an
example, take the following poem by Uejima Onitsura (1661-1738);
 
a trout leaps high­
below him, in the river bottom,
clouds flow by
 
In this translation one sees the clouds reflected in the stream below the
trout. However, a more literal translation reveals a ³floating line.²
 
the trout leaps
underneath­
floating clouds
 
Here the term ³underneath² becomes a ³floating line² and there is
uncertainty as to whether the ³floating clouds² are underneath the trout
(clouds reflected in the water) or the trout is underneath the ³floating
clouds² (in the sky). From this we can say the image contains ³both² one
meaning ³and² the other, and construct a third image upon reading which
superimposes them both (much like Quantum physics contains superimposed
particles). This mode of logic (often called ³triadic-logic² rather than
³binary logic²) is essential to understanding yin-yang and some Buddhist
thought.
 
Furthermore, the difference between ³either/or² logic and ³both/and² logic
is fundamental to many disputes between Western and non-Western cultures.
For instance, in terms of Maori and Pakeha perceptions of the Treaty of
Waitangi, I.H. Kawharu writes, ³The Maori text predicates a sharing of power
and authority in the governance of the country between Crown and Maori. The
English text is about a transfer of power.² Here we have an illustration of
the difference between ³both/and² logic and ³either/or² logic. Maori
believed the treaty to mean that ³both² Maori ³and² Pakeha would share
power, while the Crown believed it would be ³either² Maori ³or² Pakeha in
power. The difference between ³both/and² and ³either/or² thought is central
to any discussion surrounding chaos, complexity and non-Western modes of
thought and belief systems.
[END]

Richard Whyte recently finished his Masters in Film at Victoria University
on the NZ experimental film-maker (and poet, and painter) Joanna Margaret
Paul. Much of his work intersects topics central to SCANZ 2009 particularly
in terms of Japanese poetry, quantum physics, post-structuralist thought and
non-Western belief systems.

The SCANZ residency takes place from January 25th to February 9th 2009; the
symposium is on February 8th and 9th. The exhibitions open on February 8th
2009.

Apologies for cross posting.


+=+
Ian M Clothier and Trudy Lane
Intercreate Research Centre
intercreate.org
Faculty of Arts, Commerce and Technology
Western Institute of Technology at Taranaki
www.witt.ac.nz
New Plymouth, New Zealand
South Pacific Ocean
P= +64 6 757 3100 x8895
F= +64 6 757 3232
E= [EMAIL PROTECTED]

 




 


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