Kia ora koutou, 
 
Founded in 2015, the International Journal for Digital Art History 
https://dahj.org/articles is a peer-reviewed and open-access journal. DAHJ's 
ninth issue, “Dear ChatGPT, give us a title!” Responsiveness and Responsibility 
in Times of AI https://dahj.org/cfp/9,"; seeks to identify and explore this 
discourse of AI and its various relationships with the discipline of art 
history. 
 
Today, Artificial Intelligence (AI) is at the forefront of art-historical 
research and cultural discourse: from the creation of digital images with the 
use of transformer models, such as Dall-E and Midjourney, to the analysis of 
large data sets of images with the use of neural networks. Scholarly written 
analysis is also shifting with the use of ChatGPT and other language models. 
Now is a critical time for the field of Digital Art History to reflect and 
respond to the uses and applications of data with these computational methods. 
As the International Journal for Digital Art History (DAHJ) responds to 
cutting-edge scholarship concerning developing technologies and tools within 
the fields of art history and museum studies, we open this call for papers.
 
While AI inquiry offers many potential avenues for rethinking art historical 
research, without careful consideration algorithms also risk ethical pitfalls. 
Though there has been fervent discussion around AI tools intersecting with art 
production, as well as a long history of tool development for image recognition 
and analysis, this issue seeks to further the conversation in response to the 
recent influx of scholarly engagement with AI and art-historical scholarship.
 
Art History with AI poses a series of unanswered questions and pressing topics 
for our community: 
    * Ethical considerations, including issues of bias, diversity, and cultural 
heritage (e.g., classification and canonical bias) 
       
    * The integration of AI in art education and its potential to enhance 
learning and pedagogy
       
    * Considerations around copyright, context, and image creation
       
    * The ontology of (AI) Art: Is it art? How can we redefine art history with 
AI?
       
    * Schema and recipe: How do the expectations embedded in datasets (and AI 
products) reinforce (or disarticulate) in individual instances of image 
generation? Will the instructions for generating images accrue a new power, and 
will/should they be proprietary? 
       
    * Modernism and automation: Is this just another late-stage entanglement 
between art and machines that has been going on since the advent of 
industrialization? To what degree is the novelty of these products related to 
the vast scale of their proprietary dataset? (i.e., Dall-E can do certain 
things because they have billions of images to mine.) What about "no-go zones" 
and/or censored topics, such as pornography, violence, propaganda, etc.? 
       
    * The future of AI in art history and its potential to shape the discipline 
in new and innovative ways: How do we see art and art history through an AI 
lens (if at all)? How will it change and how can we be ready?
       
This issue will be tandem with our DAHJ Gallery VR exhibition “A Kind of 
Alchemy: The Work of Art in the Age of Artificial Intelligence.” 
https://dahj.org/gallery The exhibition will consider the medium of AI Art and 
its developing tools, such as DALL-E 2, Midjourney, and Stable Diffusion, along 
with the artists who are at the heart of this experimentation and emerging 
practice. 
 
We welcome articles from art historians, curators, conservators, information 
scientists, artists, and writers from other related disciplines who are 
concerned with these topics. This open call aims to include marginalized 
scientific perspectives from diverse global communities. 
 
The call is now open and first articles are to be published in the first 
quarter of 2023. To submit articles, please register first at 
https://dahj.org/contribute https://dahj.org/contribute and then submit 
articles (6,000 words max.). We will be publishing articles on a rolling basis. 
 
I would love to read some submissions from this side of the world! Please 
contact me with any questions about the call or the Journal. 
 
Ngā mihi nui, 
 
Hannah 
 
 
 
 
Hannah Rushton
Editorial Assistant and Lead for Outreach 
 
International Journal for Digital Art History  
https://dahj.org/
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