Derek, I know that Yo-Yo Ma is more competent in music then you are and most
of us. This what he writes:
"As I work in music today, I try to implement this ideathat the music I play,
like me, doesnt belong to only one culture. In recent years, I have explored
many musical traditions. Along the way, I have met musicians who share a
belief in the creative power that exists at the intersection of cultures.
These musicians have generously become my guides to their traditions. Thanks
to them and their music I have found new meaning in my own music making."
He played pop, jazz, rock, and as all greats including Mozart folk songs.
Boris Shoshensky


-- "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote:
Allan

I don't know the name of the group I was listening to. But
it was in a fairly up-market Parisian restaurant and I was
assured by aficionados of the form that I was listening to
very good jazz. (I should add that I have not exactly lived
my life in a cupboard and I have heard various 'famous' jazz
groups many times, like everyone else. It's not all that
easy to avoid them in this world - regrettably.  Don't ask
me their names though. I do my best to forget everything
anyone tells me about jazz.)

No I don't think these musicians 'were capable of typifying
in a single instance all the possible instances of jazz
performance' (btw you're not an analytical philosopher by
any chance? I seem to recognise the idiom). But they were
reasonably representative of what jazz is as a musical form.
 Do I need to spend interminable evenings listening to every
jazz band in creation before I can comment on jazz? (God, I
hope not!!)

As for 'criteria', that gets us into very deep waters
philosophically speaking. Do you have clear criteria to
distinguish art from mediocre music (or mediocre visual art
or literature.) I don't, and have never encountered any that
I found convincing. (And not knowing where Frances' learned
experts' live, I can't ask them.) As I said, I was simply
giving you my opinion and you are quite welcome to disagree.
(You obviously do anyway).  For me, as I say, jazz is an
impoverished musical form. It is to real music as thin gruel
is to a wonderful tasty meal. It is empty, meretricious,
even cynical, music (cynical because it poses as something
complex but appeals to quite simple, basic instincts). It is
the reverse of what music should be. It is tedious,
unexpressive, flat, and wearisome. For me an evening of jazz
is sheer musical torment. It is a slight step above pop or
rock but that, in my book, scarcely rates as much of a
compliment.

Glad to have had the opportunity to say a little more on the
topic.

DA

----- Original Message -----
From: Allan Sutherland <[EMAIL PROTECTED]>
To: "[email protected]"
<[email protected]>
Subject: Re: Music and all that jazz
Date: Mon, 14 Apr 2008 11:58:35 +0900

> Curiously you did not mention who the musicians were who
> you listened too? Curiously too you did not say why you
> thought these musicians, on the performance occasion, were
> capable of typifying in a single instance all the possible
> instances of jazz performance.  Nor did you provide the
> criteris by which you consider all jazz music inferior.
> Surely, it is essential that these musicians must do so
> represent all jazz and lack aesthetic adequacy to conclude
> that all jazz is aesthetically worthless.  To put the
> point with equal brevity.
>
> Toodle-pip,
>
> Allan.
>
> On 12/4/08 16:02, "[EMAIL PROTECTED]"
> <[EMAIL PROTECTED]> wrote:
>
> > I sat through an evening of jazz last night.  Very good
> > jazz , I was told.
> >
> > Usually, when I hear jazz I simply flee, but since that
> > was not an option this time I decided to listen as
> > attentively as possible and try to work out if there
> > seemed any basis at all for the now widespread view
> > among aestheticians that jazz is good music.
> >
> > The experience only reinforced the view I already held.
> > Jazz is a desperately impoverished musical form.  In
> > essence it is just musicalised beat.  Insistent,
> > monotonous beat, dressed up with shreds and patches of
> > melody and various repetitive rills and frills.
> >
> > I sat there pining for Mozart.  For real music.
> >
> > DA

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